Despite the challenges, and judging by the Young Vic’s typically youthful, mixed audience, Nora: A Doll’s House is a production to which they can relate and which, so far as I could see, kept them on the edge of their seats.
Tanika Gupta’s superb reimagining of Henrik Ibsen’s modern classic A Doll’s House is both entertaining and deep.
Highlights of Young Vic artistic director Kwame Kwei-Armah’s programme for 2020 include Cush Jumbo making her Young Vic debut as Hamlet and Academy Award-nominee Ruth Negga as Portia in Marina Carr’s haunting play Portia Coughlan.
Cardboard Citizens are a remarkable success story, especially dealing as they do with those at the sharp end of society, the ones who have fallen through the cracks. For 25 years, Adrian Jackson, CC’s founding father has pioneered theatre that will not let us forget what it is like to be homeless, to have lost everything including your dignity and identity.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Stef Smith’s frantic, apocalyptic story captures society’s instinctive, “Must. Destroy. Everything.” response to the natural world threatening contemporary human sovereignty.
Stef Smith’s debut Royal Court Theatre play, directed by Hamish Pirie opened at the Royal Court last night. Have a read of what some of the critics have been saying about it. Human Animals continues at the Royal Court Upstairs until 18 June 2016.
There is a strongly beating human heart behind the Traverse Theatre Company’s Swallow. The cleverly staged production from a largely female team has a spiky exterior hiding a warm and resonant core.