With the definitive MGM film never far from mind, it can be hard to find an original spin to put on Guys & Dolls. Joseph Pitcher’s production doesn’t stray far from the 1955 version but the young cast brings a verve and energy which gives the whole piece a vital boost
‘It feels a problematic choice to stage’: KISS ME, KATE – West End
Under the glossy veneer of amazing choreography, the fulsome sound of Opera North’s orchestra and some spectacular performances, its gender politics are simply presented as they are. And presumably it’s OK because that’s what it was like then.
‘Everything for a superb night at the theatre & then some’: KISS ME, KATE – West End ★★★★★
An impeccable five-star production from Opera North in association with Welsh National Opera. Do not be put off by the word opera this is West End musical theatre at its very, very best.
TOP HAT – Kilworth
Stephen Mear’s take on Top Hat, just opened at Leicestershire’s Kilworth House Theatre is further proof that for this summer at least, the very best musical theatre openings are all taking place outside of London.
42nd STREET – Paris
It may be in the English language but this production of 42nd Street is in a French theatre, the glorious Théâtre du Châtelet in Paris which, under Jean-Luc Choplin’s artistic directorship, has arguably entirely reshaped the Parisian relationship with musical theatre.
THE PRODUCERS – Touring
Ah, The Producers. Probably our favourite of the glut of movies turned musicals of the past decade or so. The original production was a wonder of un-PC satire that was far and away the best thing Mel Brooks had turned his hand to in years. More than ten years later and the show is well established in the canon of musicals that head out regularly on tour. Has familiarity dulled the humour of the piece?