An excellent production of a modern classic with a towering central performance: Alan Bennett’s early 1990s play examines public versus private monarchical concerns at the end of the 18th century in the latest stream from National Theatre At Home.
Andrea Levy’s novel Small Island comes to life most beautifully in this adaptation by Helen Edmundson at the National Theatre.
The revival of Alan Bennett’s 1991 classic The Madness of King George III at Nottingham Playhouse couldn’t then be more relevant, a play that speaks to our interest in the people who govern us as well as concerns about fitness to rule, mental health and its treatment.
There’s little sense of an over-arching plot in Absolute Hell which may turn some off but Hill-Gibbins proves that it isn’t needed, the connective tissue that holds them together is the sticky floor of the club as much as anything.
Most families have a story or three, the kind of tales that go down in folklore, destined to be repeated at family events no matter embarrassing for the parent/sibling/etc involved.
On the one hand, that the VAULT Festival has expanded to over 300 shows running over eight weeks is fantastic news for the emerging theatremakers that it supports.
Set in 1942 this National tour of Terence Rattigan‘s wartime masterpiece is celebrating the 70th anniversary of VE day and is drawn from Rattigan’s own experiences of his RAF days of which he is pictured in the program, which incidentally makes for a fascinating read for all ages. With such a stellar cast as this, it was bound to be a fitting tribute to a historic time.