Make no mistake, this is a world class Passion, and one which any Sondheim nut, or indeed anybody who wants to see a collection of remarkable talents at the top of their game, would be mad not to make the journey to the Hope Mill Theatre Manchester for.
Even a minor Sondheim has something to recommend it, and ticking this one off leaves just two of his shows left for me to see live.
My knowledge of Anyone Can Whistle was confined to the three numbers included in the Side by Side revue, so clearly …
One of Sondheim’s earliest works Anyone Can Whistle has just opened at Southwark Playhouse. Notoriously a flop back in 1964, many have tried but few have succeeded in reviving its fortunes.
This wacky tale of faked miracles, town economics, mental health and social segregation is a puzzling one, combining some really great Stephen Sondheim songs and some strong female characters with a cartoonish plot.
Stephen Sondheim – Broadway’s musical theatre’s greatest innovator and powerhouse over the last seven decades – left us, after 91 years, in the midst of writing another new musical that he revealed only weeks ago.
The Old Vic has announced its Back Together season, the seventh from artistic director Matthew Warchus, which will run from July 2021 to July 2022 and combines both streamed and live shows.
On Friday the resumption of theatre life began in New York; meanwhile, today is the 50th anniversary of the Broadway opening night of Stephen Sondheim’s Follies, his jagged and shattering tribute to the musicals as well as the marriages of yesteryear, as James Goldman’s characters confront their current predicaments as middle and old-aged people looking back on their lives through the prism of the nostalgia of their theatrical pasts — all set to a score that gently pastiches the songs of the period while actually improving on them.
A trio of music reviews with Marisha Wallace’s album Tomorrow, Shan Ako’s EP Brave Heart and the original concept album of Soviet Zion.
We are now onto the third of my new weekly musical theatre podcast series ShenTens. This week I count down my top ten favourite Sondheim songs — at least my favourites right now.
I’ve launched a brand-new weekly podcast, called ShenTen, in which I will countdown my personal top tens in different theatrical categories.
Rob Houchen and Celinde Schoenmaker star in a beautifully sung, beautifully filmed digital version of Sondheim’s revue Marry Me A Little for the Barn Theatre.
Episode Two of The Theatre Channel takes its Halloween theme and has a ball with it, with brilliant performances from the likes of Linzi Hateley, Jordan Shaw, Bradley Jaden and Sophie Isaacs.
Britain’s Got Talent judge Amanda Holden releases her debut album Songs From My Heart, full of musical theatre treats and Sheridan Smith.
The highly anticipated Broadway transfer of Sunday in the Park with George, starring Academy Award nominee Jake Gyllenhaal and Tony Award winner Annaleigh Ashford, has postponed its season in the West End until further notice.
World premieres in Chichester Festival Theatre’s Festival 2020 include first plays by Steven Moffat and Kate Mosse and new work by Suhayla El-Bushra and Christopher Shinn.
Ought To Be Clowns barely saw 250 shows this year, quiet by his standards. And as is the way of these things, here’s a rundown of some of the productions that moved me most…
Because nothing says Merry Christmas like a stage mum going off the rails! Gypsy offers a different festive treat at Manchester’s Royal Exchange.
No doubt about it, Nikolai Foster’s production of West Side Story for Curve Leicester is damn close to musical theatre perfection.
Cameron Mackintosh has announced that in honour of Stephen Sondheim’s 90th birthday in March 2020, the Queen’s Theatre will be renamed the Sondheim Theatre, making him the only living artist to have a theatre named in his honour both in the West End and on Broadway.
Tickets go on sale today for a strictly limited season of Stephen Sondheim and James Lapine’s Sunday in the Park with George starring Academy Award nominee Jake Gyllenhaal and Tony Award winner Annaleigh Ashford and directed by Sarna Lapine, at the Savoy Theatre.