The thing is, you can’t fault the acting in Jitney at the Old Vic – the actors are superb. And Tinuke Craig’s expert direction means the cab office setting doesn’t feel static or forced. But the play takes a long time to get to the interesting stuff and then leaves a lot hanging.
‘There are real moments of magic’: JITNEY – Old Vic Theatre
Jitney, revived at the Old Vic in a production by Tinuke Craig, is a piece that took the best part of 40 years to make it to Broadway in late 2016 after decades of smaller productions around America and at the National Theatre in 2001. Part
‘Interesting themes about human behaviour under extreme pressure’: FORCE MAJEURE – Donmar Warehouse
Force Majeure is a random act of God that cannot be predicted or measured that entirely disrupts planned activity, something we can all appreciate a little better in the past two years.
‘Short, sharp stabs of real brilliance’: LIVING NEWSPAPER #6 – Royal Court Theatre (Online review)
Moments of dark humour are scattered throughout Edition #6 of the Royal Court’s Living Newspaper but elsewhere it is a bit more hit and miss.
‘Fascinating & engaging piece of theatre’: THREE SISTERS – National Theatre
Inua Ellams’ writing is always so multifaceted and beautiful and this interpretation of Three Sisters is no exception, whether you have strong feelings on Chekhov or not.
‘Challenging but exhilarating reworking’: THREE SISTERS – National Theatre
Inua Ellams’ relocation of Chekhov’s Three Sisters to the Biafran Civil War proves devastatingly effective at the National Theatre.
‘Linguistically agile, theatrically pleasurable & emotionally dark’: GLASS. KILL. BLUEBEARD. IMP – Royal Court Theatre
Caryl Churchill’s Glass. Kill. Bluebeard. Imp. at the Royal Court is wonderfully bright and incisively perceptive.
‘An absolute marvel’: SWEAT – West End
I really can’t recommend Sweat highly enough. It’s not just a great play, and a great production, it’s an actually important one.
‘Truly benefits from its straightforwardness’: ALL MY SONS – The Old Vic
Some titanic acting performances from Sally Field, Bill Pullman and Colin Morgan in this superb All My Sons at the Old Vic Theatre.
NEWS: Clarke Peters & Sule Rimi are to join the cast of The American Clock at the Old Vic as Giles Terera pulls out
Clarke Peters and Sule Rimi are to step in to cover the roles of Robertson, Moe 3 and Taylor in Arthur Miller’s The American Clock at the Old Vic, directed by Rachel Chavkin, following news that Giles Terera has had to withdraw from the production for personal reasons.
NEWS: Donmar Warehouse’s production of Sweat by Lynn Nottage extends run
The Donmar Warehouse today announces the extension, due to exceptional demand, for Lynette Linton’s acclaimed production of Sweat by Lynn Nottage. The production will now be booking for performances until Saturday 2 February 2019.
‘Complex, urgent & moving’: SWEAT – Donmar Warehouse ★★★★★
If you want to understand why working-class Americans voted for Donald Trump or even why people in Sunderland voted for Brexit then look no further than Lynn Nottage’s complex, urgent and moving play new play, Sweat.
NEWS: Jenna Coleman & Colin Morgan are cast in All My Sons at The Old Vic as National Theatre Live broadcast announced
The Old Vic and Headlong Theatre’s production of Arthur Miller’s All My Sons, directed by Jeremy Herrin and starring Sally Field and Bill Pullman with Jenna Coleman and Colin Morgan will be broadcast live from The Old Vic to cinemas around the UK and internationally on 14 May 2019 as part of National Theatre Live.
NEWS: Martha Plimpton will star in the UK premiere of Lynn Nottage’s play Sweat at the Donmar Warehouse
The Donmar Warehouse has announced full casting for Lynette Linton’s production of Sweat by Lynn Nottage (7 December 2018 to 26 January 2019, press night is 19 December). The line-up includes Martha Plimpton, Leanne Best, Patrick Gibson, Osy Ikhile, Wil Johnson, Stuart McQuarrie, Clare Perkins, Sule Rimi and Sebastian Viveros.
‘A daring endeavour that is richly rewarding’: MEASURE FOR MEASURE – Donmar Warehouse
In a year of revelations about the abuse of power and sexual misconduct, the timing couldn’t be better for Measure for Measure at the Donmar Warehouse, an intriguing tale of blackmail, morality and duty.
NEWS: Full cast joining Hayley Atwell & Jack Lowden in Donmar Warehouse’s Measure for Measure is announced
The Donmar Warehouse has announced the full casting for artistic director Josie Rourke’s production of William Shakespeare’s Measure for Measure. Previews start from Friday 28 September 2018.
BARBER SHOP CHRONICLES – National Theatre
That it is sold out shouldn’t stop you from trying to get tickets – there’s Friday Rush and there’s refreshing this page in case of returns, and boy is it worth it.
Queer Theatre at the National: The Drag
Mae West wrote The Drag in 1927 where its frankness about gay lives (and once again, drag ball culture!) scandalised its out-of-town Connecticut and New Jersey audiences so that it never made it to Broadway.
BARBER SHOP CHRONICLES – National Theatre
The hugely convivial pre-show entertainment for Barber Shop Chronicles is such good fun that I thought to myself I could easily just watch this for an hour. As it turned out, press night delays meant that it was extended by about thirty minutes, during which you really got to appreciate how quietly radical it is.
Summer Nights in Space, Prom Kween, This is Not Culturally Significant
All John Spartan has ever wanted to do is go to outer space but like many a man with an obsession, this dedication has come at a cost to his friendships and marriage as he finds himself packed off on a solo mission, which ultimately isn’t at all what it seems.
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