The Famous Five – A New Musical, a collaboration between Chichester Festival Theatre and Theatr Clwyd, brings a fresh vibe that sees writer Elinor Cook and director Tamara Harvey concentrate on family relationships and climate crisis as opposed to spies.
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This film version of the Oscar Wilde classic The Picture of Dorian Gray is a brilliant critique of the digital age.
Not only does it work as a standalone piece of digital theatre, this adaptation of The Picture of Dorian Gray is also really intelligently linked to the original story.
This striking and edgy version of Oscar Wilde’s story The Picture Of Dorian Gray acts as a powerful warning about depending too much on social media.
The co-producers of the upcoming digital adaptation of The Picture of Dorian Gray have today announced the production’s full casting and creative team. Joining previously announced Fionn Whitehead, in the title role, are Alfred Enoch as Harry Wotton, Joanna Lumley as Lady Narborough, Emma McDonald as Sibyl Vane and Russell Tovey as Basil Hallward with Stephen Fry as the Interviewer.
Mark Shenton welcomes headlines featuring Stratford East, the National, the British Library and community involvement from Waterloo to Wales.
Some commercial producers, it appears, wanted the old order to be restored and business to proceed as normal, hence the rush to re-open as quickly as it was legally possible to do so back in November after we emerged from the second lockdown.
Tamara Harvey’s digital production of What a Carve Up! skilfully builds the suspense, while also systematically taking apart those in power who enjoy all the benefits of their position, while allowing the rest of us to take the hit.
Balancing a fine line between radio play, true crime shockumentary and theatrical whodunit, but transcending each medium, director Tamara Harvey makes Henry Filloux-Bennett’s play What a Carve Up! fizz with relentlessly building fury.
This musical, which made its world premiere in the West End in 2013, deserved a much longer run than it received.
The Menier Chocolate Factory and Theatr Clwyd co-production of Orpheus Descending has officially opened in London. Love London Love Culture rounds up the reviews…
Savagely observed absurdity, blinding flashes of insight, profound yearning, sudden poetry singing clear notes from the cruel swamp of humanity. Orpheus Descending isn’t one of Tennessee Williams’ more familiar plays, but it has all the troubled master’s marks, glories and challenges.
Even a middling Tennessee Williams play – Orpheus Descending – is better than most, and this one still has plenty to say about sacrifice and suffocation in small-town America
Actress Catrin Aaron chatted to Emma Clarendon about starring in Tamara Harvey’s production of Orpheus Descending at Theatre Clwyd before playing at the Menier Chocolate Factory.
Actor Mark Meadows chatted to Emma Clarendon about starring in Tamara Harvey’s production of Orpheus Descending at the Menier Chocolate Factory.
How far would you go to achieve domestic perfection? What even is domestic perfection? Is our happiness shaped by or confounded by traditional gender roles? These are the questions Laura Wade poses in her feminist satire Home, I’m Darling.
As rehearsals begin, casting has been announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd artistic director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January 2019.
The National Theatre and Theatr Clwyd’s critically-acclaimed co-production of Laura Wade’s new play Home, I’m Darling, directed by Theatre Clwyd artistic director Tamara Harvey and featuring Katherine Parkinson, will transfer to the West End, in a co-production with Fiery Angel.
Laura Wades’s return to the stage is a bright satire about marriage and nostalgic fantasy
The post Home, I’m Darling, National Theatre appeared first on Aleks Sierz.
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