Jessie Buckley is astonishing as the National Theatre’s Romeo and Juliet makes the jump from stage to screen to extraordinary effect.
National Theatre and Sky Arts’ hybrid theatre and film production of Romeo & Juliet has been a fascinating experiment resulting in a smart, interesting and entirely collaborative piece of art.
The National Theatre has announced it is creating a new filmed version of Romeo & Juliet for television, temporarily transforming the vast stage spaces of its Lyttelton theatre into a film studio to capture Shakespeare’s timeless play for a new generation of audiences. The National Theatre has broadcast stage productions to cinemas for over a decade through its National Theatre …
London Theatre Company has announced its repertoire plans to reopen the Bridge Theatre during September and October 2020, “assuming that the Government gives the go ahead for indoor performances with socially distanced audiences”.
This joyous and lively production, starring Tamsin Greig, is one of the best versions of Shakespeare’s comedy I’ve ever seen.
Filming has begun on new productions of Alan Bennett’s critically acclaimed and multi-award-winning Talking Heads monologues, to be broadcast on BBC One with an all-star cast.
A selection of much-loved National Theatre Live productions will be made available to watch on YouTube for free over the next two months.
Mind the Blog rounds up her favourite female performances in the theatre during 2018.
The Gate Theatre has announced its next production, Dear Elizabeth, a two-hander by award-winning US playwright Sarah Ruhl, directed by Ellen McDougall. The piece, running at the venue from 17 January to 9 February 2019 (press nights are 22 and 23 January 2019), will be performed by a series of guest actors including Travis Alabanza, Jade Anouka, Tim Crouch, Tamsin Greig and Alex Jennings.
I go to the theatre is to be amused or moved or challenged or interested and sadly this collection of Pinter didn’t really reach out across the dark auditorium to me.
Pinter Three features 11 plays, allowing director Jamie Lloyd to vary tone, pace and style with shorter, more amusing sketches bookended by two more heavyweight works; Landscape and A Kind of Alaska.
The Pinter at the Pinter season continues with parts Three and Four which showcase both Pinter’s comic brilliance and his ability to move an audience.
Mark Shenton rounds up news, reviews & tweets of the week from London, New York & beyond including a life-size first birthday cake of John McCrea at Everybody’s Talking About Jamie and the opening of King Kong on Broadway.
Overall, I really rated Pinter Three. Whether you know your Pinter or not, I’d wager there’s something new for you here. Funny, touching, and staged and performed with real class. Solidly good stuff.
In what promises to be an exciting event within the Pinter at the Pinter season, Lee Evans will appear in an eclectic mixed bill alongside stage and screen favourite Meera Syal. They join the previously announced Keith Allen and Tamsin Greig from 25 October to 8 December 2018 for 23 performances only. Evans will perform the poignantly witty Monologue and a …
Further all-star casting has been announced for Jamie Lloyd Company’s Pinter at the Pinter, an unparalleled event featuring all twenty short plays written by Harold Pinter in the West End theatre that bears his name.
Keith Allen, Phil Davis, Paapa Essiedu, Rupert Graves, Gary Kemp, John Simm and Maggie Steed have joined the extraordinary company of Pinter at the Pinter, the unprecedented season featuring all 20 of Harold Pinter’s one-act plays, running from September 2018 to February 2019, to mark the tenth anniversary of the Nobel Prize winner’s death.
Pinter at the Pinter, a unique event presented by the Jamie Lloyd Company, featuring all 20 one-act plays written by the great British playwright, will be performed in the theatre that bears his name from 6 September 2018 to 23 February 2019.
Ovalhouse recently announced its new Summer Season 2018 ahead of the demolition of Ovalhouse’s current home and the theatre’s move to a new, purpose-built facility in 2020. Owen Calvert-Lyons, Ovalhouse’s Head of Theatre & Artist Development, told us more.
As ever, the wait for the end-of-year lists of favourite plays and performances has to continue until I’ve actually stopped seeing theatre in 2017. But in the meantime, here’s a list of 11 of my top moments in a theatre in 2017.