For the first time since theatres closed on 16 March 2020, Kiln Theatre will reopen to share live performance with audiences with a season of work including three world premieres.
Recalling the year past, which is de rigueur for those of us who have spent too many nights in darkened rooms, I’m struck again by the richness and talent of so many shows I’ve seen, particularly in the smaller and Off-West End and Fringe venues.
This week the London theatre bloggers discuss Disney’s Aladdin in the West End, The Flying Lovers of Vitebsk at the Sam Wanamaker Playhouse and new plays Sunset at the Villa Thalia and The Invisible Hand.
New entries this week are The Invisible Hand at the Tricycle Theatre and The 3 Penny Opera at the Natonal, and its the last chance to see Les Blancs, The Flick and People, Places and Things
American banker Nick Bright knows that his freedom comes at a price. Confined to a cell within the depths of rural Pakistan, every second counts. Who will decide his fate? His captors, or the whims of the market? Indhu Rubasingham directs the European premiere of Pulitzer Prize winner Ayad Akhtar’s political play – but what have critics made of it? The Invisible Hand runs at London’s Tricycle Theatre until 2 July 2016.
It is the modern terror that stalks our interconnected world. You’re shut in a stone cell, alone and far from home, and in a chaotic increasingly lawless land, rife with political and tribal rivalries. So your captors themselves are unpredictable: captives in their turn of ideologies, corrupt government, poverty and a daily jolting adrenalin fear. Unreasoning murders like that of Daniel Pearl, haunt every family whose members travel to work in, report on, or help a developing country.
With her world premiere production of Marcus Gardley’s A Wolf in Snakeskin Shoes in previews from this week, Artistic Director of the Tricycle Theatre, Indhu Rubasingham, today announces the company’s 2016 spring/summer season. The season opens with the transfer of Florian Zeller’s The Mother, starring Gina McKee (pictured), from Theatre Royal Bath, following the critically acclaimed run of Zeller’s The Father …