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The Madness of George III

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‘Mark Gatiss’ mesmerising acting dominates the play’: THE MADNESS OF GEORGE III – Nottingham Playhouse (Online review)

In Online shows, Opinion, Plays, Reviews by Aleks Sierz16th June 2020Leave a Comment

Alan Bennett writes that “I’ve always had a soft spot for George III”, for no better reason than that he had studied the monarch’s reign at secondary school and then again at uni.

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‘A towering central performance by Mark Gatiss’: THE MADNESS OF GEORGE III – Nottingham Playhouse (Online review)

In Online shows, Opinion, Reviews by John Chapman14th June 2020Leave a Comment

An excellent production of a modern classic with a towering central performance: Alan Bennett’s early 1990s play examines public versus private monarchical concerns at the end of the 18th century in the latest stream from National Theatre At Home.

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‘Mark Gatiss gives a remarkably touching performance’: THE MADNESS OF GEORGE III – Touring

In Opinion, Plays, Regional theatre, Reviews, Sticky, Touring by Not Exactly Billington10th November 2018Leave a Comment

The Madness of George III offers a great part for an actor, one which Mark Gatiss relishes. His vocal and physical tics are memorable, while never reducing mental illness to a series of quirks.

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What’s Debbie looking forward to in November 2018?

In Features, London theatre, Musicals, Plays, Regional theatre, Touring by Debbie Gilpin2nd November 2018Leave a Comment

Big openers include Pinter 4 (Moonlight/Night School), the return of The Curious Incident of the Dog in the Night-Time (Piccadilly Theatre), Caroline, or Change at the Playhouse and Hadestown at the National (Olivier Theatre).

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NEWS: Mark Gatiss and Sweet Charity lead Adam Penford’s first season at Nottingham Playhouse

In Musicals, Native, News, Plays, Press Releases, Regional theatre by Press Releases26th September 2017Leave a Comment

Nottingham Playhouse is delighted to announce Adam Penford’s first season as Artistic Director, including multi-award winning drama The Madness of George III starring Mark Gatiss.

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