The Barricade Boys are back in London with their Christmas Cabaret – a fun-filled festive show that you just can’t help but love.
Following a successful UK tour, Amelie The Musical arrives in London for a limited run. Love London Love Culture rounds up the reviews.
Casting for the UK premiere of Be More Chill, the hit Broadway musical has been announced. The lead roles of Jeremy Heere will be played by Scott Folan and Michael Mell by Blake Patrick Anderson
Here’s Love London Love Culture’s guide to some of the best shows opening in December.
The writing father/daughter duo Alick Glass and Suzanne Glass really captures the feeling of the period in Reputation which, despite the drama of its core story, remains a feel-good show.
Despite the plot holes, this is a charming musical that has potential. This might be the first outing for Alick Glass’s 1930’s set musical but there is still plenty of potential to be found in it despite the flaws in the plot and number of songs included in it. Taking place in 1935, Michelle is… Read More
Love London Love Culture selects seven of the best shows opening in the capital in November.
Broadway fan favourite musical Be More Chill is to transfer to London to make its UK premiere at The Other Palace, playing from 12 February to 3 May 2020, with press night on 18 February.
It’s been another crazy busy Stagey week. I moved flats, travelled to Chichester, Kilworth, and Dartford, saw five shows, two cabarets, interviewed nine people and had a very early start on Sunday for a day’s filming.
Intricate but not in-your-face Falsettos is a must-see reminder of human love; and a great example of how moving music can be.
If ever there was a triumph of delivery over content, then this first London production of the New York Jewish musical Falsettos is it.
Judging the production at face-value though, Falsettos is well sung, ultra-smart and ultimately gutting. Those who buy a ticket will have plenty to look forward to.
With an influx of Broadway transfers and film/book to movie adaptations dominating the London theatre scene, it’s always wonderful to see new British theatre developing. The Feeling by Kyra Jessica Willis is a good example of this, as it brings social troubles to light in a headstrong way that feels authentically British.
This year’s National Youth Music Theatre (NYMT) residency at the Other Palace sees this remarkable theatre company tackle Jason Robert Brown’s Parade, a musical that is as technically demanding as its story is grim and harrowing.
Amélie The Musical will transfer to London’s The Other Palace from 29 November 2019 to 1 February 2020 (press night is 3 December), following its current UK tour and its season premiere at the Watermill in Newbury in April.
Food writer and journalist Nigel Slater tells us about seeing his memoirs brought vividly to life on stage in Toast, bringing food into the theatre and the surprising impact his story has had on audiences.
Carrying on her new series, our editor Lisa Martland picks out five of her Top Picks from the last week of theatre (8-14 April 2019).
Henry Filloux-Bennett serves up a winning and nostalgic adaptation in Nigel Slater’s Toast that is both heartbreaking, poignant, joyous and funny
“You put the grill on high, and the bread under it. Turn it over half-way through. And then you take it out and scrape it.” That extract from my eight-year-old school essay could just as easily have come from the book and script of Toast, a delightful and fond depiction of food writer Nigel Slater’s formative years.
Smartly adapted by Henry Filloux-Bennett, Nigel Slater’s Toast will warm you through without disguising its darker flavours, a satisfying and hearty concoction that sees the world through the eyes of a child.