Despite the fact that theatres were once again up and running for about half the year (varying from place to place), there was still a massive appetite for digital productions going into 2021.
Dorian: A Rock Musical is an interesting take on the Oscar Wilde classic, probably better suited to live & in-person shows – Bart Lambert gives an arresting performance as Dorian Gray.
Writer and director Ross Dinwiddy’s vision to create a black and white adaptation of Dorian Gray adds a twist to the gothic tale. Moving away from the rich luxury often associated with Wilde, The Tragedy of Dorian Gray offers a deeper depth into the dark soul traded to the devil for eternal youth.
The Belgrade Theatre, Coventry has announced that its doors will reopen to the public on 17 May 2021, with socially distanced audiences able to enjoy Joe Pasquale and Sarah Earnshaw in John Godber’s April in Paris, which kicks off its UK tour at the venue.
This film version of the Oscar Wilde classic The Picture of Dorian Gray is a brilliant critique of the digital age.
Alfred Enoch and Russell Tovey enliven a digital take on Oscar Wilde’s The Picture of Dorian Gray.
Not only does it work as a standalone piece of digital theatre, this adaptation of The Picture of Dorian Gray is also really intelligently linked to the original story.
This striking and edgy version of Oscar Wilde’s story The Picture Of Dorian Gray acts as a powerful warning about depending too much on social media.
The co-producers of the upcoming digital adaptation of The Picture of Dorian Gray have today announced the production’s full casting and creative team. Joining previously announced Fionn Whitehead, in the title role, are Alfred Enoch as Harry Wotton, Joanna Lumley as Lady Narborough, Emma McDonald as Sibyl Vane and Russell Tovey as Basil Hallward with Stephen Fry as the Interviewer.
This week the London theatre bloggers discuss Cymbeline at the Sam Wanamaker Playhouse, The Rolling Stone at the Orange Tree, The Picture of Dorian Gray at Trafalgar Studios and The Long Road South at the King’s Head.
When The Picture of Dorian Gray was first published in 1890 by Lippincott’s Monthly Magazine, it caused a great scandal, despite already having been heavily censored by the magazine’s editor. Later, when adapting the story to be published as a book, Oscar Wilde himself removed further material, in particular some of the more homoerotic passages.
If it tells you nothing else, The Picture of Dorian Gray reminds you Oscar Wilde was a playwright not a novelist and this, his only work of prose fiction, emerges as a script with merely minor tinkering and additional source material from Wilde’s surviving grandson Merlin Holland.
One wit called it ‘the first French novel in English’, with its seductive evocation of exotic decadence and corrupting wickedness. Critics in the 1890’s sputtered “poisonous…heavy with the mephitic odours of moral and spiritual putrefaction” and fit only for “outlawed noblemen and perverted telegraph boys”. In other words, homosexual. But it has outlived them, this Oscar Wilde fable of the beautiful boy Dorian who keeps his fresh appearance while in the attic his portrait snarls, sneers and withers to monstrosity.