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NEWS: The Off West End Awards 2021 winners are announced

In Audio, Awards, Children's theatre, Festivals, London theatre, Musicals, Native, News, Online shows, Plays, Press Releases, Quotes by Press Releases21st February 2021

The winners of the Off West End Awards 2021, encompassing the Offies, OffFest, OnComm and OneOff Awards, have been announced in an online ceremony on 21 February 2021 via Scenesaver.

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20 of the things that inspired, moved, amused & delighted John Chapman in 2020

In Features, London theatre, Online shows, Opinion, Plays, Regional theatre, Reviews by John Chapman3rd January 2021Leave a Comment

I’ve selected 20 of the things that inspired, moved, amused and delighted, which have pushed the boundaries of what it possible and continued to fly the flag for theatre in the UK.

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‘Transporting us by engaging the heart, mind & soul’: How theatre-makers adapted in 2020

In Dance, Features, London theatre, Online shows, Opinion, Plays, Regional theatre, Reviews by Shane Morgan27th December 2020Leave a Comment

Here are Shane Morgan’s picks of how 2020 in theatre has continued to do what it does best: transporting us by engaging the heart, mind and soul.

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‘Joseph Potter is more than a match for this quick-fire writing’: THE POLTERGEIST – Southwark Playhouse (Online review)

In London theatre, Online shows, Opinion, Plays, Reviews by Maryam Philpott24th November 2020Leave a Comment

Philip Ridley’s play The Poltergeist made an intimate transition to the screen and will be unmissable as soon as live performances can be scheduled.

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‘A tour de force performance in a brilliant monologue’: THE POLTERGEIST – Southwark Playhouse (Online review)

In London theatre, Online shows, Opinion, Plays, Reviews by Louise Penn21st November 2020Leave a Comment

A tour de force performance (mark Joseph Potter as one to watch) in a brilliant monologue on an empty stage, you will not want to miss Philip Ridley’s The Poltergeist.

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REVIEW: The Last Five Years, Garrick Theatre

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Jonathan O’Boyle’s production is a wonderfully poignant and intimate experience, with detailed performances from both Oli Higginson and Molly Lynch.

Having had a successful and popular run at the Southwark Playhouse last year, Jonathan O’Boyle’s haunting and poignant production makes its glorious debut in the West End – highlighting the uniqueness of Jason Robert Brown’s musical with great respect.

The Last Five Years follows the journey of the relationship between Jamie and Cathy – but while Jamie tells their story from beginning to end, Cathy tells it from end to beginning, heightening the sense of bittersweetness to the story that really keeps the audience emotionally engaged with the story. Throughout each song, neither character really engages with each other, allowing it to have a very introspective feel and allowing the audience to draw their own conclusions as to whether Jamie and Cathy were meant to be together but their own dreams and ambitions caused them to drift apart.

While some may find the fact that the characters are quite disconnected from each other (which is something that is rarely seen in a musical on a West End stage) as a bit of a struggle to get used to, it actually allows us to get to know the characters well as individuals as well as together from each other’s point of view – adding extra depth.

This is something that director Jonathan O’Boyle is really able to get to the heart of in this wonderfully understated production that highlights just how powerful and important Jason Robert Brown’s music is in conveying this relationship. With Lee Newby’s set design comprised of a revolving piano and enormous carnival letter lights in the background, it is a wonderfully simple and stylish way to show that all the focus is centred on Cathy and Jamie telling their story – and ensuring that the music is right at the centre of it by having them each taking it turns to play on it. Jamie Platt’s gorgeously soft and haunting lighting design actually enhances the signs of the cracks in the relationship from the very start particularly during ‘Still Hurting’ and towards the end during ‘Nobody Needs to Know’.

It is also not a production that flinches away from the fact that both characters are deeply flawed and fail to take into consideration each other’s needs, making it feel very a very real relationship. The strongest songs in the show are really reflective and honest – such as ‘If I Didn’t Believe in You’ and ‘Goodbye Until Tomorrow/I Could Never Rescue You’.

At the very core of this production is two strong and detailed performances from Oli Higginson and Molly Lynch who clearly understand Jamie and Cathy well. Higginson offers real swagger and self confidence to Jamie as seen through his rendition of ‘Shiksa Goddess’ – yet you still get a sense of vulnerability that while doesn’t completely redeem his character at least allows the audience to feel that he is deeply conflicted. In contrast, Molly Lynch while offering a delicacy to her character also shows how the character develops an inner strength during the course of the relationship as seen through ‘See I’m Smiling’. But my favourite moment for both performers is their rendition of ‘The Next 10 Minutes’ that is filled with hope, joy and romance – a beautiful performance.

The Last Five Years is a deep and moving show that is realised in a simple but stylish way that is easy to enjoy.

By Emma Clarendon

The Last Five Years continues to play at the Garrick Theatre until the 17th October. To book tickets click here. Check out our interview with Molly lynch and Oli Higginson here.

Rating:

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Jonathan O’Boyle’s production is a wonderfully poignant and intimate experience, with detailed performances from both Oli Higginson and Molly Lynch.

The Last Five Years is a deep and moving show that is realised in a simple but stylish way that is easy to enjoy.

By Emma Clarendon

The Last Five Years continues to play at the Garrick Theatre until the 17th October. To book tickets click here. Check out our interview with Molly lynch and Oli Higginson here.

Rating:

[post_excerpt] => Jonathan O’Boyle’s production is a wonderfully poignant and intimate experience, with detailed performances from both Oli Higginson and Molly Lynch. Having had a successful and popular run at the Southwark Playhouse last year, Jonathan O’Boyle’s haunting and poignant production makes its glorious debut in the West End – highlighting the uniqueness of Jason Robert Brown’s… Read More [post_date_gmt] => 2021-09-25 12:32:08 [post_date] => 2021-09-25 13:32:08 [post_modified_gmt] => 2021-09-25 12:32:08 [post_modified] => 2021-09-25 13:32:08 [post_status] => pending [comment_status] => open [ping_status] => closed [guid] => https://lovelondonloveculture.com/?p=121821 [meta] => Array ( [$(post_content)] => Array ( [0] => ... ) [enclosure] => Array ( [0] => ) [syndication_source] => Theatre – Love London Love Culture [syndication_source_uri] => https://lovelondonloveculture.com [syndication_source_id] => http://lovelondonloveculture.com/category/theatre/feed/ [syndication_feed] => http://lovelondonloveculture.com/category/theatre/feed/ [syndication_feed_id] => 162 [syndication_permalink] => https://lovelondonloveculture.com/2021/09/25/review-the-last-five-years-garrick-theatre/?utm_source=rss&utm_medium=rss&utm_campaign=review-the-last-five-years-garrick-theatre [syndication_item_hash] => Array ( [0] => a59b5155b03fa33746989d430ead5daf [1] => b6858fee808fbd232a84bf2898ddf640 ) [faf_process_image] => ) [post_type] => post [post_author] => 50 [tax_input] => Array ( [category] => Array ( [0] => 1105 [1] => 729 [2] => 732 [3] => 1102 [4] => 1105 [5] => 733 [6] => 730 [7] => 1104 [8] => 3449 [9] => 729 [10] => 8619 ) [post_tag] => Array ( [0] => 763 [1] => 10768 [2] => 8119 [3] => 1437 [4] => 13855 [5] => 28764 [6] => 60117 [7] => 10768 [8] => 10769 ) [post_format] => Array ( [0] => 10770 ) ) )