Five years after the Print Room relocated to the former Coronet Cinema in Notting Hill Gate, the building is reclaiming its original name, the Coronet Theatre. Its first season is announced.
New post-show Q&A: Join Terri for the UK premiere of Alix Sobler’s The Glass Piano
As part of her ongoing post-show Q&A series, on Wednesday 8 May 2019, Mates co-founder Terri Paddock talks to the company of the UK premiere of The Glass Piano, running at The Print Room at the Coronet. Got any questions?
NEWS: First UK production of Don DeLillo’s Love-Lies-Bleeding will star Josie Lawrence & Joe McGann
Josie Lawrence and Joe McGann will lead the cast in the first UK production of American literary icon Don DeLillo’s Love-Lies-Bleeding at The Print Room at the Coronet from 9 November to 8 December 2018 (press night is 13 November).
NEWS: The Print Room announces international season, including Don Delillo premiere
Print Room at the Coronet will present a year of outstanding and emotionally vivid new international performance by some of the world’s greatest most creative minds, including Pulitzer Prize winner Don Delillo, Ben Okri, Anthony Neilson and Stephen Dillane.
‘Regrets & recriminations superbly captured’: THE OPEN HOUSE – The Print Room at the Coronet ★★★★
The Open House comes to The Print Room, Notting Hill, from a successful premiere at Theatre Royal Bath’s Ustinov Studio and it is an engrossing character study of family life, post-The American Dream.
NEWS: Print Room announces full details of season celebrating Karen Blixen
Print Room at the Coronet has announced further details for Out of Blixen and Babette’s Feast, two productions that will run consecutively, putting a spotlight on the fascinating life and writing of Karen Blixen.
Is Julian Fellowes right? Are period dramas & BME performers incompatible?
Julian Fellowes has defended the all-white casting on Half a Sixpence by stating “It is in keeping with period”. Whilst Fellowes justification may make sense to him, it sounds ridiculous to everyone else
Howard Barker’s play doesn’t drase minorities, The Print Room Does
As The Print Room’s controversially cast production of Howard Barker’s In the Depths of Love opens this week, here’s a guest contribution from Daniel York.
An industry-wide new year’s resolution: Open letter to the Print Room
An industry making resolutions? Now that’s something I can get behind – people working together for a common goal is what theatre is about, on a microcosmic level anyway, and more unity is surely a good thing in a world becoming increasingly polarised.
THE TEMPEST – The Print Room
Shakespeare’s play is given life in Simon Usher’s rather frustrating production that is extremely difficult to warm to.
NEWS: Print Room mounts four world premieres in 2017, Princess Eugenie becomes patron
Artistic Director Anda Winters today announces Print Room at the Coronet’s next season of work in its new, permanent home. The Spring/Summer 2017 programme, in Notting Hill’s reinvigorated Victorian play and opera house, features four world premieres.
NEWS: Print Room mounts four world premieres in 2017, Princess Eugenie becomes patron
Artistic Director Anda Winters today announces Print Room at the Coronet’s next season of work in its new, permanent home. The Spring/Summer 2017 programme, in Notting Hill’s reinvigorated Victorian play and opera house, features four world premieres.
NEWS: Print Room autumn season includes Handspring Puppet Company’s Ubu
Artistic Director Anda Winters today announces Print Room at the Coronet’s Autumn / Winter 2015 season at its new, permanent home at the Coronet in London’s Notting Hill, with two productions presented in the main auditorium at the iconic listed building and former Victorian playhouse, alongside further programming in the smaller studio space. Commenting on Print Room at the Coronet’s …
Casting Women of a Certain Age in As Good a Time as Any and Product
Since producing and hosting a post-show debate last month on “Women in the Arts” at Trafalgar Studios, I’ve been thinking a lot about gender inequality in theatre, and particularly in casting. And two recent plays I’ve seen have brought the subject of into even sharper focus for me – both highlighting the problem and providing […]
Popular vs personal: How did my own choices fare against the #AlsoRecognised winners?
On Monday, we announced on MyTheatreMates.com the winners of our inaugural #AlsoRecognised Awards. The first year of these Awards has caught the imagination of the industry, the audience voters and the nominees and winners more than I had hoped to imagine. Your winners are lovely, truly lovely and appreciative. Just look how they’ve embraced – […]
Review: Snake in the Grass (The Print Room, London)
In 1985, Susan Wooldridge made her name as Daphne Manners in ‘The Jewel In the Crown’ by having a nasty shock in an overgrown garden. You turn your back for 25 years and she’s at it again this time in a tense and twisting three-hander by Alan Ayckbourn which combines his well-documented empathy with the […]
The post Review: Snake in the Grass (The Print Room, London) appeared first on JohnnyFox.
Review: Snake in the Grass (The Print Room)
In 1985, Susan Wooldridge (centre) made her name as Daphne Manners in ‘The Jewel In the Crown’ by having a nasty shock in an overgrown garden. You turn your back for 25 years and she’s at it again this time in a tense and twisting three-hander by Alan Ayckbourn which — in his 61st script […]
The post Review: Snake in the Grass (The Print Room) appeared first on JohnnyFox.