Love London Love Culture’s Emma Clarendon takes a closer look at what critics have been saying about Emma Baggott’s production of Anthony Neilson’s play The Wonderful World of Dissocia at Theatre Royal Stratford East.
Kate Pankhurst’s best-selling picture book Fantastically Great Women Who Changed the World is filled with fascinating facts about some of the amazing women who have changed the course of history. And it’s now been adapted into a musical by a creative team of wonderful women.
Dennis Kelly’s 2005 play After The End is set inside a nuclear fallout shelter, so it is not surprising that it deals with situations beyond the boundaries of what passes for normality.
With all its effortful but pointless violence, Dennis Kelly’s After the End leaves me cold at the Theatre Royal Stratford East.
Though theatres are now operating at full capacity (if they choose to) — and audiences are wearing masks only if they choose to, as well — there is a great deal of uncertainty, as performances are being routinely suspended at the very last minute if a cast member proves positive or has come into contact with someone who has.
This weekly column keeps track of the shows that are coming back, or are newly being announced, as theatres start reopening from tonight (17 May) in London and at other theatres in the UK.
The National Theatre has announced that Clint Dyer has been appointed deputy artistic director. He will work closely with Rufus Norris, director and joint chief executive, and Emily McLaughlin, director of new work, to support and shape the NT’s creative output.
More than 1,300 arts and cultural organisations have benefited from a share of £257 million as part of a vital financial boost from the Government’s £1.57 billion Culture Recovery Fund.
Back in April, part of Theatre Royal Stratford East’s response to the pandemic was to create a new type of project. They put out a call to key workers in the local community to share their stories via a video wall. Out of some of these writer Rebecca Lenkiewicz and director Nadia Fall have created a series of imagined monologues which have been filmed as No Masks.
Hackney Empire, Lyric Hammersmith Theatre, Queen’s Theatre Hornchurch and Theatre Royal Stratford East will be postponing their 2020 pantomimes by a year due to the continued uncertainty of government guidelines for restarting public performances.
In collaboration with theatres across the UK, #scenechange – a community for stage designers taking action for theatre – has launched #MissingLiveTheatre, wrapping theatre buildings in a positive message of hope and visibility to the industry.
As an artist, Ian Dury is unique in the annals of British rock music. Contracting polio at the age of seven (which resulted in the paralysis of his left leg, shoulder and arm), Dury didn’t let this stop him from becoming an accomplished musician.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Winners of the Offies 2020 Awards, held at Battersea Arts Centre, have been announced. It was the tenth anniversary year of the awards presented by Off West End.
Frantic Assembly’s new show I Think We Are Alone is thematically coherent, but the writing is too explicit and the staging too static.
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 9 February 2020), including Ian Foster seeing Rafe Spall give a career-defining performance in the National Theatre’s production of Death of England.
New touring play The Gift from Eclipse is a wonderfully complex and emotionally powerful account of race and Empire.
The production team that ensured the show could go on after part of a West End theatre ceiling collapsed and the revival of much-loved pop magazine Smash Hits are among the nominees for The Stage Awards 2020.
Ned Bennett’s direction is another star of the show; the relationship between Ira Mandela Siobhan as Nugget, a Chestnut horse who has a close relationship with Strang, is stunning.
How many different ways can one play be interpreted? The company of Equus were very keen not to impose their opinions but the audience at last night’s post-show Q&A at Trafalgar Studios had plenty of their own. Which were right? All of them! And what a knowledgeable audience it was. Many had seen this or other previous […]