I rounded up my personal choices in a recent blog and have enjoyed reading and publishing the scores of Year in Review blogs (nearly 30!) from My Theatre Mates colleagues in recent weeks. As an addendum, I’ve now rounded up critics’ round-ups in other publications.
Year in Review: Ian Foster’s Best Supporting Actress in a Play & in a Musical
In addition to lists of top productions, Mates contributor Ian Foster reviews his reviews from the past year to award his personal prizes for the best performances for Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress in both plays and musicals…
Year in Review: Ian Foster’s Best Actor in a Play & in a Musical
In addition to lists of top productions, Mates contributor Ian Foster reviews his reviews from the past year to award his personal prizes for the best performances for Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress in both plays and musicals…
Year in Review: Ian Foster’s Best Actress in a Play & in a Musical
In addition to lists of top productions, Mates contributor Ian Foster reviews his reviews from the past year to award his personal prizes for the best performances for Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress in both plays and musicals…
Year in Review: Ian Foster’s 12 Leading Men of the Year 2016
It’s that time of year again when I am publicly shallow in my appreciation of the men that grace our stages – and given the hit counts I get on these annual posts, you’re all just as thirsty as me! (Note from Mates: Visit Ian’s site for many more, and more revealing, pics of each – plus archive lists since 2009!)
Year in Review: Carole Woddis’ top 20 new plays of 2016 (with special praise for the Fringe)
Recalling the year past, which is de rigueur for those of us who have spent too many nights in darkened rooms, I’m struck again by the richness and talent of so many shows I’ve seen, particularly in the smaller and Off-West End and Fringe venues.
Year in Review: Helen McWilliams’ top 25 performers of 2016
I’ve given some thought to the various actors and actresses on stage and screen who have ‘made’ 2016 for me, and these choices are from my heart and my head.
Year in Review: Jonathan Baz’s top shows of 2016
My favourite moments of the shows that I saw in 2016 are below and include performances from across the UK, together with the USA and also Europe. Theatre, cabaret, dance and concert performances are all included and there’s no ranking.
Year in Review: Ian Foster’s top 10 shows of 2016 (out of 332 seen)
I started the year intending to see fewer shows than in 2015, when I made 304 visits to the theatre – but, somehow, I seem have crept up to 332 for 2016. The only consolation is that it is still some way off the high water mark of 2014… 383.
Year in Review: Susan Elkin’s top 10 shows of 2016
Robin Hood at Egg Theatre, Bath. Photo: Nick Spratling. It’s that time of year again. It’s customary for critics and others who purport to have some kind of overview to look back over the previous twelve months and come up with a list or two. What follows is a list of the 10 shows which […]
The post The obligatory top ten appeared first on Susan Elkin.
Year in Review: Caroline Hanks-Farmer’s top 10 shows of 2016
I’ve personally seen 74 productions this year including some repeat visits, so how do I then pick just ten shows for a top 10?
Year in Review: Matt Merritt’s top shows of 2016
From Chichester to Charing Cross, the Globe, Southampton, Menier Chocolate Factory, the Union and the RSC – for those of you who’ve already read our roundup of our favourite performances from 2016, some of our picks will come as no surprise, but here are the shows we’re still talking about.
Year in Review: Vicky Anderson’s top 5 Liverpool shows of 2016
Two fantastic things to happen this year included making it on to Radio 4’s Front Row programme to review the Everyman’s The Massive Tragedy of Madame Bovary! (which was so deliciously complex I nearly made this a top six); the other was becoming part of the fantastic My Theatre Mates, the online network set up by leading theatre critics Terri Paddock and Mark Shenton.
Year in Review: Helen McWilliams’ top 5 theatres of 2016
I have never given much thought to my particular favourite venues, but as this is a year in review, it’s only right to give a shout out to some of my best loved spaces.
Year in Review: Helen McWilliams’ top 5 touring shows of 2016
Touring productions are the vast majority of shows that I go along to review, so whittling down a shortlist of the top ones from 2016 is no mean feat. The task has been eased somewhat as a few of my personal idols have been treading the boards this year and their appearances were highlights in themselves.
Year in Review: Helen McWilliams’ top 5 West End shows of 2016
My year would not be complete without a spot of Masquerade and Chiquitita! Here’s the best of what I’ve been watching in the West End this year.
Year in Review: Caroline Hanks-Farmer & co choose their favourite shows of 2016
2016 has undoubtedly had its highs and lows. I wanted to find out what were my regular reviewers’ two favourite theatrical productions that they had covered for me this year?
Year in Review: Terri Paddock’s top plays, musicals & performances of 2016
Ahead of rounding up various publications #theatre2016 highlights, I’m taking a moment to reflect on my own theatregoing year and my favourite plays, musicals, performances and other events.
Year in Review: Helen McWilliams’ Top 5 Off-West End productions of 2016
2016 has been the year that Break A Leg has been out and about seeing what London’s Off-West End productions and theatres have to offer. I have adored going to see new spaces, places and faces – it’s been aces! So, without further ado… here are my top five choices from among the many I have had the pleasure of reviewing.
Year in Review: Ian Foster’s 9 top theatre moments in 2016
The end-of-year lists of favourite plays and performances should be on their way soon, once the food coma has abated, but to tide you over, here’s my list of 9 of my top moments in a theatre over 2016, the things that first come to mind when someone says ‘what did you enjoy this year’. For reference, here’s my 2015 list and 2014 list.
The ‘arrival’ of the Hope TheatreI’ve been gazumped by The Stage in recognising this Islington fringe theatre for a stellar year but it is no more than Matthew Parker and his team there deserve. Over the course of 2016, intelligent and exciting programming has made the Hope into a must-see venue for me, no mean feat in a market already full of fringe venues and new ones opening every time you look up. From promoting new writing to astutely chosen revivals, scorchingly personal writing to themed seasons culminating in delightfully campy lesbian musicals, this theatre has been on fire all year long and has made me excited to see every single thing they put – and there’s precious few places, large or small, that can say that.
Wizards and magic and owls, oh myI’d have to see Harry Potter and the Cursed Child again before deciding officially whether it is a great piece of drama or not, but there’s no doubting that it is a stonking piece of theatre and the atmosphere at the very first shows was something quite amazing to be a part of, even from the back row of the balcony. The romantic sweep of Christine Jones’ set and Steven Hoggett’s movement, John Tiffany’s endlessly imaginative direction and of course, the masterfully jaw-dropping effects from Jamie Harrison. It felt like something I’d never seen before and in the case of Sprocket the Owl, it was something no-one else saw either!
(c) Stephen CummiskeyMiriam Buether turning the world upside downIt’s incredible that in the same month that I saw Harry Potter, a play at the Hampstead Theatre matched it for simply astounding set design. Miriam Buether’s work on Wild was jaw-droppingly good and what I was particularly proud of on a personal level, was how I managed to reference it in plain sight in the review, yet still managing to avoid spoilers.See also: opening in the same month, Bob Crowley’s design for Aladdin was impressive against such stiff competition
The Hired Man brought to orchestral lifeI knew the concert version of The Hired Man at Cadogan Hall would be good, but I wasn’t prepared for just how emotional it would be. Hearing Jenna Russell and John Owen-Jones duetting on ‘No Choir Of Angels’ took me to the edge, being joined by Matthew Seadon-Young for the soaring ‘If I Could’ pushed me right over to leave me quietly sobbing for most of the interval.See also: Glenn Close ripping through ‘As If We Never Said Goodbye’
Discovering Lorraine Hansberry, for myselfBefore March this year, I’d never seen a Lorraine Hansberry play and seeing two in a month – Eclipse’s touring A Raisin in the Sun and the National Theatre’s Les Blancs – absolutely blew me away. Both will rank very highly in my end-of-year list but more than that, I enjoyed finding my own way into loving Hansberry’s work. It’s all very well being told someone is good (even when that someone is my mum, who has ranked Raisin… as one of her favourite plays for a while) but I much prefer forming these opinions for myself and now I can hand-on-heart agree that Hansberry’s was a superb talent.
The glorious rise of Noma DumezweniThere’s something beautiful in seeing karmic justice being served, especially to an actor who you’ve admired for a goodly while. Noma Dumezweni may not have been a household name at the beginning of the year but the trifecta of stepping into the lead role of Linda at a moment’s notice, making her directorial debut in I See You, and then nailing her inspired casting as the adult Hermione in Harry Potter and the Cursed Child has seen her profile rise stratospherically. Most impressive of all the serene grace with which she has handled all manner of racist trolling on Twitter.
Finally getting ‘Satisfied’In a most rare example of restraint from myself, I had the Original Cast Recording of Hamilton for something like a year without listening to it, knowing that I would be doing my damnedest to see the show. And sure enough, with several months planning and the help of a generous birthday gift, I got to see the original cast live at the Richard Rodgers Theatre whereupon I experienced the absolute genius and glory of Renée Elise Goldsberry’s ‘Satisfied’ completely unspoiled. Without exaggeration, one of the best moments of musical theatre ever written.See also: getting to relive the sumptuous harmonies of Jessie Mueller, Kimiko Glenn and Keala Settle in ‘A Soft Place To Land’ from Waitress thanks to the wonder of Broadway cast recordings
(c) Pascal VictorIsabelle Huppert being Isabelle HuppertI’d argue that Isabelle Huppert is one of the finest actors in the world and what is particularly exciting about her is that she rarely takes easy, predictable decisions in her choice of collaborators and material. From films such as Elle to La Pianiste, she always provokes and so perhaps it was no surprise that a rare UK theatre appearance would be equally challenging. If anything got me through the nearly 4 hours of Phaedra(s), it was the undeniable electric star quality that she radiates, no matter what she’s doing.See also: getting to see Ian McKellen and Patrick Stewart is always a pleasure, even if I had to suffer Pinter for the privilege
Holding the curtain in Derby A personal one here but one that still makes me chuckle. Back in March, I was invited to Derby Theatre to see the double bill of Look Back in Anger and response piece Jinny but the train I was booked on was cancelled. I got on the next one, knowing that time would be extremely tight, but I wasn’t expecting that when I got to the station, the wonderful Heidi from Derby Theatre bundled me into her car along with Mark Lawson, Michael Coveney and some other bloke, drove us to the stage door, where we were rushed into the theatre where they had held the beginning of the performance for our arrival! Not bad for a two-bit blogger 😉
- Page 1 of 2
- 1
- 2