New musical #ZoologicalSociety, written by Vikki Stone and Kate Mulgrew, gets a well-timed concept album release.
Aimie Atkinson is good but deserves far better than Pretty Woman: the Musical, the blatant cash grab at the Piccadilly Theatre.
Lazarus Theatre’s ensemble-based take on Macbeth at Greenwich Theatre proves thrilling in its stylish directorial vision.
In The Prince Of Egypt highly committed cast does their best to ride out inconsistent production choices to deliver work that fills the Dominion well.
I go and see The Extraordinary Time-Travelling Adventures of Baron Munchausen at the VAULT Festival and end up playing a tree with killer leaves.
As rap and spoken word emerge as the primary storytelling modes in Poet in da Corner, along with some evocative dancing, there’s a compelling sense of the potential of what theatre can be.
Jack Robson’s I Woke Up Feeling Electric asks some morally and technologically challenging questions at the Hope Theatre.
In Death of England, Rafe Spall delivers the performance of a lifetime in this punchy monologue by Clint Dyer and Roy Williams at the National Theatre.
The perils of midweek drinking writ large – After(s) examines what it means to be in your mid-twenties today at the White Bear Theatre in Kennington.
The Misadventures of David and Sam proves a good-natured and light-hearted piece of fun family theatre at the VAULT Festival.
A fine revival of Lucy Prebble’s first play The Sugar Syndrome features a strong debut performance from Jessica Rhodes at the Orange Tree Theatre.
Insofar as it is humanly possible for any one person to know everything that is happening at the VAULT Festival this year, I present a handful of my recommendations for 2020.
Conor McPherson’s adaptation of Uncle Vanya featuring Toby Jones and Richard Armitage at the Harold Pinter Theatre is so good you can forgive the “wanging on”.
Lucy Kirkwood returns to the National Theatre with The Welkin, starring a brilliant ensemble led by Maxine Peake.
With its focus on the small things, Sam Steiner’s play You Stupid Darkness! is a delicate but delicious thing at the Southwark Playhouse.
The Other Room’s The Story and Hela make a delightful and daring double bill of Welsh drama at Theatre503.
BAZ Productions’ The Process proves bold and striking in its use of BSL and spoken English, if a little flawed too, now running at the Bunker Theatre.
A musical adaptation of Tom Brown’s School Days at the Union Theatre has some moments, and performances, to treasure.
As well as providing a welcome opportunity for performers to really cut loose, Six also – sadly – remains at the cutting edge of the zeitgeist.
Holy What’s Antigone at the New Diorama shifts the focus of Sophocles’ play onto two young sisters to powerful effect.