A musical theatre album with a difference, RE:arrangement – An Album by Nick Barstow is refreshingly bold.
Luke Evans’ debut album At Last is full of emphatic pop covers and his powerful voice at full stretch, not always a winning combination.
There’s much to like about Dear Evan Hansen at the Noël Coward Theatre, not least a brilliant lead performance from Sam Tutty.
Late 90s pop is always my jam so a musical that features it is always going to be a winner. The brilliant & Juliet is so much more besides as well though.
Really, in the end, Mary Poppins is the kind of production full of uncomplicated fun that can’t help but
uplift the soul in the most delightful way.
A genuinely updated I Love You, You’re Perfect, Now Change is a really rather lovely thing at the newly renamed Chiswick Playhouse.
This amiable revival of Soho Cinders makes for an alternative festive treat at the Charing Cross Theatre.
New musical The Green Fairy is a bold experience at the Union Theatre, featuring the unmissable, almighty voice of Julie Atherton.
The densely poetic On Bear Ridge offers a thoughtful experience at the Royal Court, with Rhys Ifans and Rakie Ayola on fine form.
I’ve long admired Jon Robyns and his new album Musical Direction reflects on his career so far beautifully, as well as suggesting what fun lies ahead.
Set in the world of competitive enduance tickling, Tickle the Musical proves a rather good-natured, sweet thing at the King’s Head Theatre.
Irish Coffee marks the 100th anniversary of Eva Perón’s birth with a fascinating look at her legacy at the Calder Bookshop & Theatre.
Some cracking choreography and two barnstorming lead performances make Gentlemen Prefer Blondes a musical treat at the Union Theatre.
Karaoke nights can offer moments of real insight into something of what our aspirational society has become and it is this rich seam of potential that Annie Jenkins mines with her new play Karaoke Play at the Bunker Theatre.
A pleasure to see Zoë Wanamaker and Zrinka Cvitešić onstage but they deserve a much better play than Two Ladies at the Bridge Theatre.
A rare foray into the world of dance saw me catch the highly atmospheric Outwitting the Devil from the Akram Khan Company and Heartbeat of Home at the Piccadilly Theatre.
In the space of just three shows, Out of the Forest Theatre has indisputably become a no-questions-asked do-what-you-can must-see company for me and so by extension, for you too. Now it is the turn of Call Me Fury to weave its theatrical magic at the Hope Theatre.
The strange but spellbinding Anna Bella Eema makes for an intriguing trip to the Arcola Theatre.
Big doesn’t always mean better, size does matter, it’s not how big it is it’s what you do with it – whatever the pun, Big the Musical is a severe disappointment at the Dominion Theatre.
Arrows & Traps’ queer noir take on The Strange Case of Jekyll & Hyde is a contemporary adaptation that speaks to the ages at the Brockley Jack Theatre.