As the fringe continues to grow, so does the input from Edinburgh-based companies. This year there are an unprecedented 93 different productions in the theatre section of the Fringe programme alone.
Amelie is a slick, clever and hugely appealing production which reveals the heart of the original in a way which the initial Broadway production did not, if the clips of the latter are to be believed.
In the week when moves to regulate Airbnb failed and it was decided to curtain Princess Street Gardens off during commercial gigs, Active Inquiry’s The Sideshow feels remarkably relevant.
Over 50 years on and the Age of Aquarius is still providing a relevant, controversial (in parts) and – eventually – thunderously entertaining piece of musical theatre in Hair.
This touring production of Captain’s Corelli’s Mandolin allows aching heartbreak to overcome any nods to cloying sentimentality.
Passports at the ready! It’s time to jet off to the Club Tropicana Hotel in this brand new jukebox musical which is touring the country.
Hilariously insightful, touchingly funny, tunefully sharp and filthily charming, Avenue Q is the street where you laugh.
The world’s longest-running stage production The Mousetrap returns to Edinburgh to thrill a whole new audience in this classic murder mystery tale at the Playhouse
The blood-soaked events of The Duchess [of Malfi], a co-production between the Lyceum and the Citizens Theatre, are almost unwatchably intense at times. As a depiction of timeless and timely considerations, however, this production is hard to beat.
There are plenty of laughs to be had in the touring Comedy About A Bank Robbery at the King’s. There are also a couple of gasp-inducing coups de theatre.
World renowned immersive theatre company Punchdrunk makes its first ever foray to Scotland with a comprehensively startling piece of work, Small Wonders, as part of the Edinburgh International Children’s Festival.
Rapture Theatre shoots, and scores, in Red Lion, a soccer drama by Patrick Marber that even non-sports fans will love.
The touring production of The Worst Witch is high-octane, clever and extremely enjoyable.
It’s no trial watching this stage version of the classic film The Verdict at the King’s. In fact, it’s a real pleasure seeing washed-up Boston lawyer Frank Galvin get his mojo back as he takes on a case of alleged medical malpractice.
Bursting with emotion and tuneful energy, the return to the Traverse of What Girls Are Made Of is a thing of wonder.
There are plenty of laughs to be had in the production of Abigail’s Party which finishes an extensive UK tour this week at the King’s.
Stories rule in the RSC’s brilliant production of Matilda The Musical in an adaptation which feels properly true to the spirit of its Roald Dahl original – complete with dangerous spikes and revolting children.
A frankly implausible plot, that breaks several of the cardinal rules of crime fiction, is largely overcome by the committed performances in Saughtonhall Drama Group’s Nightmare.
Clever: There’s plenty of life and bundles of irony in the latest production of Marie Jones’ magnificent two-hander, Stones In His Pockets, now on a major UK tour.
Whether you know the story or not, The Girl On the Train will keep you on the edge of your seat right up until the end.