Clever: There’s plenty of life and bundles of irony in the latest production of Marie Jones’ magnificent two-hander, Stones In His Pockets, now on a major UK tour.
Whether you know the story or not, The Girl On the Train will keep you on the edge of your seat right up until the end.
Local Hero, the Lyceum’s co-production with the Old Vic, has the authenticity and drive one would expect considering the source material, but fails to add much that is new.
In a new series, My Theatre Mates editor picks out five of her Top Picks from the week that was in theatre (18-24 March 2019), ranging from Libby Purves’ return (after a few months’ break) to Susan Elkin pondering what the weather will bring as she begins a string of visits to open-air theatre.
Joseph and the Amazing Technicolor Dreamcoat proves it’s still at the top of its game as it returns to the Playhouse – again – over 50 years since it first launched.
Birmingham Royal Ballet puts on a truly magical and haunting performance of David Bintley’s Beauty & the Beast.
In The Dark Carnival Vanishing Point and The Citizens (in association with Dundee Rep Ensemble) have crafted a strangely fascinating but oddly frustrating entertainment – theatre-cum-gig-cum-cabaret that impresses in fits and starts.
A refreshingly strong turn from Rebekah Lowings ensures that the latest touring production of Ghost The Musical is alive and vibrant at the Festival Theatre, despite the show’s cloying sentimentality.
Sherlock Holmes: The Final Reckoning, Twisted Thistle’s production for Annexe Arts Hub’s Formation Festival at the Assembly Roxy, is an intriguing and beautifully presented exploration of the characters of Edinburgh-born Arthur Conan Doyle.
Twisted Thistle’s production for Annexe Arts Hub’s Formation Festival at the Assembly Roxy, is an intriguing and beautifully presented exploration of the characters of Edinburgh-born Arthur Conan Doyle.
Fake folkies and Armenia’s greatest boogie-woogie pianist stand out in the sixth instalment of Allan Stewart’s Big Big Variety Show.
Trailing clouds of glory from the 2018 Fringe, David Ireland’s Ulster American has returned to the Traverse with a bang. If it is not quite as good as some have said, it is still impressive – and certainly is impressively nasty.
Never mind your eyes, your ears will adore the tour of Jersey Boys which has arrived at the Edinburgh Playhouse for a fortnight turn.
The Lady Vanishes, but audiences won’t as a stage version of Alfred Hitchcock’s beloved thriller comes to the King’s as part of its UK tour.
Art is everything a high-profile touring show should be – a carefully thought out, well-directed production of a hit play featuring a big-name cast at the top of their game.
All the delight of the original picture book story of The Singing Mermaid who gets swept away in the circus is brought to the stage in this puppet adaptation from the Little Angel Theatre. And more.
Dr Seuss’ famous Cat in the Hat has been brought to life in this new version of the much-loved children’s book on at the King’s Theatre this week.
The tenth anniversary tour of Green Day’s American Idiot kicks up a storm as this Selladoor production arrives at the Playhouse for a week.
Anthropocene, from Scottish Opera at the King’s, is a work that is constantly shifting its ground both dramatically and musically; while it is absorbing it never entirely solidifies.
There is a depth and grit to Touching The Void at the Lyceum that threatens to carry all before it.
A thought-provoking and inspiring piece of musical theatre, Glasgow Girls at the King’s Theatre feels more relevant than ever as it returns for a new tour.