Jude, Howard Brenton’s new cerebral tragi-comedy about a Syrian refugee’s Oxford dreams, is just too gnomic.
Howard Brenton’s new play Jude is a deliberate echo of Thomas Hardy’s darkest work, Jude the Obscure: an updated riff on his angry theme of how passionate genius in humble people is stifled and thwarted by society.
I’ve been looking forward to Barney Norris‘ new play ever since I caught his acclaimed four-hander Visitors at the Bush Theatre last year. The play, which centred on an elderly couple dealing with the devastating consequences of dementia, affected me deeply. Partly, that was because of my own family’s experience with my father’s recent post-operative delirium, but mainly […]