Three new plays by Caryl Churchill and a first mainstage appearance by Bezhti author Gurpreeet Kaur Bhatti are among the highlights of the Royal Court Theatre’s next season, a whole year of work which spans from September 2019 to August 2020.
The Gate Theatre has announced its next production, Dear Elizabeth, a two-hander by award-winning US playwright Sarah Ruhl, directed by Ellen McDougall. The piece, running at the venue from 17 January to 9 February 2019 (press nights are 22 and 23 January 2019), will be performed by a series of guest actors including Travis Alabanza, Jade Anouka, Tim Crouch, Tamsin Greig and Alex Jennings.
Beginners just isn’t engaging enough for adults and children alike for much of the time and I wish the playful element had been consistent because the emotional aspects failed to hit the mark.
Whimsical design, innovative dramaturgical devices and an unwilling to patronise young people with obvious storytelling combine to create Beginners, a marvellous and thoughtful piece of theatre for all ages.
I was gutted when I found out Janet Adler and Margaret Gibb aren’t real. The portrait Tim Crouch paints of this fictional couple and their anti-capitalist approach to their art, in striking contrast to a deranged Method actor and her coach making a film about Adler’s life, is so well-formed that they feel that that they can’t not be real.
Anthony Neilson’s newly devised piece is both a comic masterpiece and a disappointingly unbalanced work.
The Royal Court Theatre has announced the final productions in its season marking the 60th year of the English Stage Company. Highlights for the remainder of 2016 include two major premieres by EV Crowe and Lucy Kirkwood and a new short play by Caryl Churchill, whose Escaped Alone returns in 2017 ahead of a tour and New York transfer.
GRIEF, ILLUSION, PLAY… You can’t label this extraordinary two-hander by Tim Crouch as “experimental” theatre, even though it uses a different – wholly unprepared – second actor every time, involves secret audio and audible muttere briefings and a handing over … Continue reading →
Every week, a group of regular, dedicated, independent theatre bloggers gather together for intelligent discussion “from the audience’s perspective” about plays and musicals they’ve recently seen in London. Lively, informed and entertaining. On this week’s programme: An Oak Tree, Violence and Son and Face the Music.
I’ve had a ‘slow’ week — or at least a slower one! By tonight, I’ll have seen just seven shows — but also three readings, too, so perhaps that makes ten. I’ve also done two big interviews — with singer Jane McDonald, ahead of her season in Cats in Blackpool, and with actor David Suchet, as he returns to the West End in The Importance of Being Earnest this coming week, both of which will run in The Stage on July 9.