View Post

JANE EYRE – National Theatre ★★★★

In Interviews, London theatre, Opinion, Plays, Regional theatre, Reviews, Touring by Olivia MitchellLeave a Comment

I’m sure I’m not alone in having gruelling flashbacks to A-level English literature when I hear Brontë’s novel mentioned, and what’s lovely about this adaptation, thanks to the minimal sets, is that it allows the audience to create the world of Jane Eyre with their imagination as they would do when reading the book.

View Post

JANE EYRE – Touring

In Plays, Regional theatre, Reviews, Scotland, Touring by Thom DibdinLeave a Comment

Resolutely theatrical and visually arresting, the version of Jane Eyre at the Festival Theatre retains the flavour of that well-loved book while succeeding admirably on its own terms. This adaptation of Charlotte Bronte’s novel was originally devised for the Bristol Old Vic and is now touring in partnership with the National Theatre of Great Britain.

View Post

RICHARD II – Arcola Theatre

In London theatre, Opinion, Plays, Reviews by Jonathan BazLeave a Comment

Following its recent performance at the Palace of Westminster, Jack Gamble and Quentin Beroud bring their Richard II to the Arcola Theatre for a short run. It has been often said that Richard II is the most “political” of Shakespeare’s plays: the story of a King too held back by the past, the last medieval Sovereign killed more by historical change than by the man who reigned after him.

View Post


In London theatre, Opinion, Plays, Reviews by Aleks SierzLeave a Comment

The best theatre is controversial theatre, but some controversies just make you want to weep. Out of Joint theatre company has been touring Rebecca Lenkiewicz’s Jane Wenham: The Witch of Walkern (co-produced with Watford Palace Theatre and Arcola Theatre) since September last year. All was going well until the 13 October performance at Ipswich High School for Girls was cancelled by the venue “citing concerns over the play’s language”. Max Stafford-Clark, Out of Joint’s artistic director, said: “It is deeply troubling that a play which so eloquently examines witch persecutions from a feminist perspective, and looks at the way society treated and continues to treat women, is considered inappropriate for an audience of young women. The school has also said that the inclusion of swearing is inappropriate, a policy which presumably rules out much contemporary drama or fiction for study.” Indeed. But enough about the follies of our educators, what about the play?