Written in 1886, Henrik Ibsen’s play Rosmersholm has a new-found poignancy in today’s political climate.
‘A thing of pure beauty but fails to stir the heart’: ROSMERSHOLM – West End
Neil Austin’s lighting design in Rosmersholm at the Duke of York’s Theatre is a thing of beauty and Hayley Atwell is excellent but Ibsen is still Ibsen…
‘A cracker of an evening’: ROSMERSHOLM – West End ★★★★
It could all go horribly wrong but Ian Rickson’s production of Rosmersholm in Duncan Macmillan’s new adaptation brings Ibsen’s dense moral and political tragedy safely into port.
REVIEW ROUND-UP: Rosmersholm at Duke of York’s Theatre
Love London Love Culture rounds up the reviews for Rosmersholm at Duke of York’s Theatre, a new adaptation of Ibsen’s play.
‘Strong & serious but Rosmer got in the way’: ROSMERSHOLM – West End ★★★
I wanted to be more engaged with the fierce fin-de siecle political play that is Ibsen’s Rosmersholm, but Rosmer got in the way.
‘Hayley Atwell’s multi-layered performance reveals a heroine like no other’: ROSMERSHOLM – West End
Most importantly Ian Rickson’s gripping production of Rosmersholm suggests that great female roles are to be found among the classics if only we look hard enough.
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NEWS: Further casting for Ian Rickson’s West End production of Rosmersholm includes Giles Terera & Lucy Briers
Giles Terera, Lucy Briers, Jake Fairbrother and Peter Wight have been cast alongside Tom Burke and Hayley Atwell in Henrik Ibsen’s Rosmersholm, adapted by Duncan Macmillan and directed by Ian Rickson, playing at the Duke of York’s Theatre from 24 April to 20 July 2019.
NEWS: Tom Burke & Hayley Atwell will star in Rosmersholm at the Duke of York’s Theatre
Tom Burke and Hayley Atwell will star as John Rosmer and Rebecca West in Ian Rickson’s new production of Rosmersholm, Ibsen’s classic study of a country in political flux, in a new adaptation by Duncan Macmillan. Further casting will be announced soon.
’Plenty to admire about this production’: DON CARLOS – Rose Theatre, Kingston ★★★★
The cast and director Gadi Roll provide plenty of pace and intensity to keep the audience thoroughly engaged during Don Carlos – but was all the shouting really necessary?
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