The National Theatre really did save lockdown and made us appreciate our phenomenal creative industries, but they may also have inadvertently pointed the way for the future as surely as National Theatre Live did in 2009.
Theatre photography is one of the most important ways to promote a new production and simultaneously one of the elements audiences – and probably most creatives – actively think least about.
To take a play as epic in scale as Coriolanus and find a natural home within the intimacy of London’s Donmar Warehouse takes a skill and lightness of touch that is not only rare but all so often missed.
There are some staggering contemporary references to draw from this staging of a lesser-known Shakespeare, starring Tom Hiddleston.
It is not often that one reviews a play one saw six years ago, but with the forthcoming National Theatre At Home streaming of the Donmar Warehouse production of Coriolanus, right now seems a strangely appropriate time to recall one of the best nights of theatre of my life.
The National Theatre has announced its third tranche of archive shows that will be streamed every Thursday at 7pm BST via its YouTube channel as part of lockdown initiative National Theatre at Home.
With a new year fast approaching, it is an interesting time to reflect on small changes across the theatre landscape in 2019 that will continue to shape how UK theatre will look as it moves into a new decade.
James McAvoy triumphs in Martin Crimp’s magnificent makeover of the French classic Cyrano de Bergerac: a jaw-dropping success.
Following a successful run in London, Jamie Lloyd’s production of Harold Pinter’s play Betrayal has officially opened on Broadway. Love London Love Culture rounds up the reviews.
Betrayal is a real gem from the Pinter collection, benefiting from the minimalist design and slick direction of this production – Charlie Cox’s performance is a real highlight.
In just six months, Jamie Lloyd’s creative team and ever-changing company of actors has utterly transformed our perspective on Harold Pinter.
Full details of presenters, performances and special appearances have been announced for the Olivier Awards 2019 with Mastercard, which takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
More praise has always met the political paranoia and over-relished bullying aggression of Pinter’s other plays, long and short: Jame Lloyd’s Pinter season has been a triumph. But for me Betrayal was always going to be the treasure.
Tom Hiddleston stars in Jamie Lloyd’s revival of Harold Pinter’s play Betrayal. Love London Love Culture rounds up the reviews…
Tom Hiddleston is back! And in excellent form in Jamie Lloyd’s revelatory revival of the 1978 Pinter classic Betrayal.
Jamie Lloyd’s terrific Pinter season, at London’s Harold Pinter Theatre, climaxes with a revival of Betrayal, arguably one of the writer’s more personal pieces and one of his most innovative and beguiling.
Hiddleston, Ashton and Cox deliver precise, layered performances in a production that grips with tension. I think Lloyd has saved the best to last in his Pinter at the Pinter season.
Betrayal is everything you could hope for. The Pinter at the Pinter season has set a very high standard for itself, but what a swansong this has turned out to be.
Two of the country’s most exciting young stars, Zawe Ashton and Charlie Cox, will Tom Hiddleston in The Jamie Lloyd Company production of Harold Pinter’s Betrayal at the Harold Pinter Theatre from 5 March 2019 until 1 June (press night is 13 March) for a strictly limited season ending on 1 June, directed by Jamie Lloyd. The production forms the culmination of the historic Pinter at the Pinter season.
We’ve said goodbye to 2018 — including a look back at some of the year’s highlights and lowlights. Now it’s time to look ahead to 2019 — and offer my picks of the year so far announced.
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