Originally written for television in 1964, this particular Tom Stoppard production has been performed to raise money for stage technicians and creatives along with supporting The Felix Project food charity.
Since the COVID-19 lockdown was introduced back in March, many of us have turned to social networking apps like Skype and Zoom to stay in touch with loved ones. And now theatres and production companies are getting in on the act too, broadcasting shows…
Following on from the instant success of National Theatre At Home streaming event, it’s got me thinking about all the other wonderful NT Live screenings that I’d love to come to the small screen as part of this series. I have narrowed it down to my top 10.
The nominations have been announced for this year’s Olivier Awards which take place on 5 April 2020 at the Royal Albert Hall.
We round up the reviews for Tom Stoppard’s latest play Leopoldstadt, receiving its world premiere at the Wyndham’s Theatre.
World premieres in Chichester Festival Theatre’s Festival 2020 include first plays by Steven Moffat and Kate Mosse and new work by Suhayla El-Bushra and Christopher Shinn.
Tom Stoppard’s personal story in Leopoldstadt sees the writer return to form as a commentator of cultural, social and historical patterns.
Final casting is announced today for the world premiere of Tom Stoppard’s new play Leopoldstadt.
Initial casting has been announced for the world premiere of Tom Stoppard’s Leopoldstadt, directed by Patrick Marber, along with a four-week extension to the run.
Sonia Friedman Productions has announces the world premiere of Leopoldstadt, a new play by Tom Stoppard, directed by Patrick Marber.
Top-notch comic performances and a production that purrs like a Rolls-Royce mean that the touring production of Shakespeare In Love from Eleanor Lloyd Productions and Theatre Royal Bath is extremely seductive.
The programme bears an image of a shirtless Fox with a sexy woman draped across him. He’s looking past her, the physical definition of agonised. This picture promises passion, Greek drama perhaps.
The opening scene is set in one of Henry’s (Laurence Fox) productions, although that’s not evident until the action moves on from the set to which Charlotte (Rebecca Johnson) and Max (Adam Jackson-Smith) are portraying.
My theatre week last week started and ended with musicals. My partner Peter and I rushed back from our – rather too work-filled – fortnight in Mallorca just in time for West End Live. It’s incredible how much this free, two-day event has grown in its 13-year history. Having started out with a handful of […]
This is phenomenal. And pretty wild. Branden Jacobs-Jenkins’s An Octoroon is the most intelligent and most theatre-savvy play on today’s London stage: it is a satire on staging race, an account of black identity, a criticism of plantation life, a celebration of genre fun and a tribute to a forgotten work from the Victorian era.
The Rose Theatre’s new autumn/winter season includes a major revival of Stephen Bill’s 1987 comedy Curtains and co-productions of Sam Holcroft’s Rules for Living, David Edgar’s adaptation of Dr Jekyll & Mr Hyde starring Phil Daniels and Tom Stoppard’s The Real Thing starring Laurence Fox.
Laurence Fox stars in a new touring production of Tom Stoppard’s The Real Thing, directed by Stephen Unwin and launching from Cambridge in September 2017.
In its depiction of two pawns caught up unwillingly in the machinations of the rich and powerful and its philosophical banter, Guards at the Taj reminds me a lot of Tom Stoppard‘s Rosencrantz and Guildenstern Are Dead.
Has anyone ever staged Rosencrantz and Guildenstern in rep with Hamlet? Can we have a non-white, non-male pairing for the next London production?