There’s hardly a more insistent ear worm of a song in all of Andrew Lloyd Webber’s ear-wormy repertoire than ‘Memory’, the breakout hit of his 1981 musical Cats, which last night celebrated the 40th anniversary of its premiere at the then New London Theatre (now itself renamed for Gillian Lynne, the choreographer whose work on the show ignited a revolution in global musical theatre, and accidentally created the West End’s first authentic dance-based musical).
Wickedly witty, The Book of Mormon pokes fun at the seemingly un-pokeable and ultimately manages to leave the audience with the cheerfully uncomfortable warm fuzzies. It’s also fantastic to see homegrown Australian talent holding their own (and killing it) alongside the Broadway greats.
The hit musical comedy The Book of Mormon has extended its booking period until 17 September 2016. This Olivier and Tony Award-winning production originally opened at the Prince of Wales Theatre in 2013, receiving positive reviews from critics and audiences to ensure that it has lasted in the West End for the past three years.