However, a couple of interesting tweets popped up from Channel 4’s political correspondent, Michael Crick, that seemed to get people’s juices flowing – one of which makes a rather pertinent point. What do we buy programmes for? What is the point of them?
You might be forgiven for thinking that only certain Shakespeare plays are allowed to be produced in any given 12-month period – for example, last year I saw five different Twelfth Nights, and this year there are at least three Macbeths already on my radar.
What is personally the most galling is the programming of Twelfth Night. Emma Rice’s production was my favourite show of 2017. It almost feels like they’re trying to brush it under the carpet by putting it on again so soon.