From 12 November to 19 December 2020 London’s Royal Court Theatre will reopens its doors with new socially distanced live performances around the building under the title Living Newspaper: A Counter Narrative.
BBC Radio’s Lockdown Theatre Festival, curated by Bertie Carvel, highlights productions cut short by broadcasting them with the original casts, albeit in an audio format only.
The theatre industry’s fightback was raised to a new level as, after more than two months of enforced venue closures, leaders coordinated efforts to pressure the government for further support, and DCMS appointed a new commissioner for Cultural Recovery.
Shoe Lady at the Royal Court is not the most involving play in the world, but it does have an evocative resonance.
Shoe Lady is an intriguing and well-considered examination of the social and domestic pressures placed on women to perform multiple and often contradictory roles in our society.
Katherine Parkinson and Kayla Meikle have been cast in the world premiere of Shoe Lady written by E.V. Crowe and directed by Royal Court artistic director Vicky Featherstone.
In a mere 90 minutes On Bear Ridge creates a theatrical metaphor of unforgettable power and impact.
On BearRidge, the first Ed Thomas play for 15 years, is a post-apocalyptic metaphor-fest which is tragic, lyrical and funny too.
White Pearl at the Royal Court Theatre, a new satire about the cosmetics industry and race, plays with stereotypes but is only mildly funny.
Three new plays by Caryl Churchill and a first mainstage appearance by Bezhti author Gurpreeet Kaur Bhatti are among the highlights of the Royal Court Theatre’s next season, a whole year of work which spans from September 2019 to August 2020.
Cyprus Avenue uses shock tactics to show us the horror within, but it is a comedy with depth, perceptiveness and a touch of genius.
Christopher Haydon, the former artistic director of the Gate Theatre in London, has written the book About The Art of the Artistic Director.
Directed by Vicky Featherstone, David Ireland’s Cyprus Avenue returns to the Royal Court Theatre after a three-year hiatus.
Superhoe at the Royal Court is a bright new monologue about coming of age in the Instagram era that really rocks its youthful socks.
A finely tuned, rapid fire and utterly compelling 100 minutes of theatre. The Cane challenges, provokes and entertains
The Cane, Mark Ravenhill’s latest, represents an investigation that remarkably refuses to follow today’s tropes of outrage and counter-intuitively and presents a different kind of moral ethic.
Mark Ravenhill’s comeback play The Cane at the Royal Court Theatre is a brilliant, complex and mature account of the abuse of power.
Mark Ravenhill’s fascinating new play The Cane at the Royal Court Theatre examines the issues of culpability for small-scale endorsed acts of violence and the nature of justice.
The Royal Court Theatre has announced its new season of work, running from February to August 2019, features the premiere of writer Jack Thorne’s new play the end of history… directed by John Tiffany.
Alun Armstrong, Maggie Steed and Nicola Walker have been cast in the world premiere of Mark Ravenhill’s play The Cane, directed by Royal Court artistic director Vicky Featherstone.