Everyone’s got mental health issues in Hex: which is the Sleeping Beauty story extended to the troublesome folk-tale aftermath. The tousled Fairy has no wings and low status, while snobbish ones float gorgeously overhead in light-rippling 20ft robes.
It’s always said that the honour is being nominated at all; in artistic endeavour, it should be a competition anyway. But what about those who are not nominated at all? Where does that leave them?
We can finally go to the ball, and Andrew Lloyd Webber’s Cinderella was well worth the wait. Emerald Fennell’s treatment of the fairy tale frames Cinderella as a social outcast in a town obsessed with beauty.
Despite threats that Cinderella might be cancelled for good, or exported to a more supportive arts climate, here it is at last and, I am happy to report, this ball of a show was worth the wait.
Cinderella’s brilliant trick is the show’s have-cake-and-eat-it ability to debunk all the traditional glamour and romance while actually indulging it.
It has been harder for Andrew Lloyd Webber to schedule a press night for Cinderella than any prince has ever had to find the wearer of the glass slipper in the fabled fairytale.
The Really Useful Group has announced, after a period of enforced closure, the world premiere of Andrew Lloyd Webber’s Cinderella will be on 25 August 2021.
Following the cancellation of weekend performances of Andrew Lloyd Webber’s Cinderella at London’s Gillian Lynne Theatre, due to one member of the company testing positive for Covid-19, the composer has announced today that the opening night and gala evenings (19 and 20 July 2021) will also not go ahead.
The full cast has been announced for the forthcoming world premiere production of Andrew Lloyd Webber’s Cinderella, featuring music by Lloyd Webber, book by Academy Award-winning Emerald Fennell and lyrics from David Zippel.
Polydor Records has announced the release of the third piece of music from the forthcoming album of Andrew Lloyd Webber’s Cinderella. ‘I Know I Have A Heart’ is sung by Carrie Hope Fletcher and is released today (12 February 2021).
The latest cast member to be announced for Andrew Lloyd Webber’s new musical Cinderella is Ivano Turco. Just graduated from Urdang Academy, Turco will be making his West End debut in the show as Sebastian, the younger brother of Prince Charming. Cinderella will open at London’s Gillian Lynne Theatre on 19 May 2021, with previews from 30 April.
Andrew Lloyd Webber’s new musical Cinderella will now world premiere at the Gillian Lynne Theatre in London on 7 April 2021, with previews from 19 March 2021. The previous opening night had been scheduled for 28 October.
I had just enough time to wipe away my tears – I was sobbing – at the end of The View Upstairs before jumping up after the curtain call to announce this post-show Q&A at Soho Theatre.
Jonathan O’Boyle has directed a moving production of The View Upstairs which feels like an homage to those fighting for gay rights in the past, those fighting now and those who are yet to realise they need to fight.
Max Vernon’s musical The View UpStairs making its European debut at the Soho Theatre and running for just five weeks, commemorates the 1973 arson attack on a gay bar in New Orleans which was the most significant event of its kind until 2016’s Florida shootings.
As part of her ongoing post-show Q&A series, on Saturday 3 August 2019, Mates co-founder Terri Paddock returns to Soho Theatre for the European premiere of Max Vernon’s acclaimed Off-Broadway musical The View Upstairs. Got any questions?
Broadway star Andy Mientus will make his UK stage debut in the European premiere of new LGBTQ+ musical The View Upstairs, alongside Declan Bennett, Victoria Hamilton-Barritt, Cedric Neal and John Partridge. The production, directed by Jonathan O’Boyle, runs at London’s Soho Theatre from 18 July to 24 August 2019, with a press night on Tuesday 23 July. Broadway and television actor …
Noel Sullivan will forever be a member of Hear’say first and foremost to me, the product of one of first of this generation of Saturday night music talent show – Popstars – but since then, a career in musical theatre has beckoned and it is on that, rather than his pop star life, that his debut album concentrates.
Not long left to see two Off-West End musicals I can recommend: The Wild Party at The Other Palace and The Sorrows of Satan at Tristan Bates Theatre. Here’s why I think you should.
March’s jazz-age tale of a tempestuous couple holding a gathering to end all gatherings allows for a real parade of vivid caricatures to come passing through in search of gin, blow, sex and some defining characteristic or other.
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