The Ring Cycle is opera’s biggest box set: a sixteen-hour binge of dwarves, nymphs, dragons, gods, heroes and monsters, all suspended inside one of the greatest philosophical conundrums expressed by the human mind – and set to glorious, extraordinary music.
Tristan and Isolde is an unmissable event that exponentially deepens the debt of gratitude owed by local operagoers to roaring lion Melbourne Opera.
In an electric performance of Götterdämmerung, the mighty Melbourne Ring Cycle concludes as it began, with glorious singing, meticulous direction and innovative staging.
The heroism of Siegfried plays out in a highly theatrical setting as Opera Australia’s addictively compelling Melbourne Ring Cycle continues. With over four hours of music shared between just eight singers, the stamina of the cast is a wonder to behold.
As a first-timer at a Wagner opera (is this ‘losing my Waginity?) I wondered what was the thread that binds his audiences in such strong defence of his work, and whether I’d feel any different afterwards. The first thing to note is how expert this particular Coliseum audience was at going to the theatre. Sociable […]
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