I’ve struggled to write about theatre at this time. To be honest, I’ve struggled to write anything about anything. It took me weeks to get my head remotely functioning.
The Paines Plough Roundabout is the most reliable, new writing venues at the fringe. With a collection of work that represents the width and breadth of the UK both geographically and thematically, this year’s offerings are universally strong.
It is not to diminish the historical elements, the research and indeed the politics of the play, to say that its power and its joy is in storytelling.
Emily Garside rounds up her Top 10 shows of 2018.
If Isley Lynn’s Skin A Cat teaches us anything it’s to be bold in talking about everything about sex, especially for women.
Allan Neve’s play is an exploration of a father-daughter life over the decades. Starting when daughter Lucy (Georgia Theodoulou) comes home to look after her father Charlie (Keiron Self), a series of intertwined monologues tell their story of past and present.
I like to spend time unpacking a play and in particular the writing a little more. So here is my not-review of Brad Birch’s new play Tremor at the Sherman Theatre.
I was the first one to declare how much I hated the idea of using existing pop music for a ‘new’ musical. I was certain that Mamma Mia! would not last long and I’d pick up some deeply discounted ticket a few months in to take a look at just how bad it was…
Here it is a list of the 10 shows that for various reasons made a mark in 2017.
This was my last theatre outing of the year, and what a way to end a year. Everyone should be talking about Jamie if they aren’t already.
Tiger Bay is a prime example of ‘deeds not words’. I am a Cardiff girl myself so to be able to return to my home City and watch the most beautifully portrayed musical, about the history of my heritage was just magical.
The Bridge Theatre is a lovely new toy for theatreland. Firstly, its location is spectacular – the views of London are glorious and next summer it will make for many a delightful pre-theatre drink there.
The idea of music existing “between the notes” seems to be the best description of Heisenberg. A bit like the principle from which it takes its name, that you cannot view a thing and observe it’s momentum at once. The music analogy is more romantic though.
It’s a rare play that gets both into your head and under your skin. Watching The Busy World is Hushed sends both a mind reeling trying to keep up with the ideas and questions posed by the characters, but also cuts to the heart with some frank, honest reflections on grief and love.
It’s all exciting, and has the potential, we already know, to produce exciting work. A company that is starting with a new Simon Stephens play starring Anne-Marie Duff and Kenneth Cranham is obviously off to a pretty strong start.
It seems everyone has a first memory of Thornton Wilder’s Our Town. Mine, in typical style is mildly embarrassing and reveals me to be the uncultured swine I so often am. It was my third year in University, which happened to be my ‘Study Abroad’ year. …
Almost a week ago now, Prior Walter bid the Lyttleton theatre ‘More Life’ one last time. Twenty-four years earlier it had opened next door in the Cottesloe. And some 14 or so years earlier the Angel first crashed into my life. Since then it’s been a labour of love.
I love a bells and whistles musical as much as the next person. But the true magic of musical theatre is in the musical storytelling magic that sometimes if we’re really lucky, happens. As much as gold tap shoes and magic sets and a chorus of 20 is gre…
There’s some arguments that come around and you think ‘really? we’re still talking about this?’ but also you’re not really surprised.So when it was annoucned Tom Hiddleston was teaming up with Kenneth Brannagh for a produc…
First a note, I know it’s been wall to wall Angels here and for those who follow me on social media/know me in real life. But I’ve loved this play for 14 years.