The thing is, you can’t fault the acting in Jitney at the Old Vic – the actors are superb. And Tinuke Craig’s expert direction means the cab office setting doesn’t feel static or forced. But the play takes a long time to get to the interesting stuff and then leaves a lot hanging.
Jitney, revived at the Old Vic in a production by Tinuke Craig, is a piece that took the best part of 40 years to make it to Broadway in late 2016 after decades of smaller productions around America and at the National Theatre in 2001. Part
I really can’t recommend Sweat highly enough. It’s not just a great play, and a great production, it’s an actually important one.
Lynn Nottage’s Pulitzer-Prize-winning drama Sweat vigorously massages the wounded heart of rustbelt America.
Mark Benton gives a compelling turn as a desperate salesman on the edge in Sam Yates’ revival of David Mamet’s riveting, prize-winning play, Glengarry Glen Ross, now touring.
The Donmar Warehouse today announces the extension, due to exceptional demand, for Lynette Linton’s acclaimed production of Sweat by Lynn Nottage. The production will now be booking for performances until Saturday 2 February 2019.
If you want to understand why working-class Americans voted for Donald Trump or even why people in Sunderland voted for Brexit then look no further than Lynn Nottage’s complex, urgent and moving play new play, Sweat.
The Donmar Warehouse has announced full casting for Lynette Linton’s production of Sweat by Lynn Nottage (7 December 2018 to 26 January 2019, press night is 19 December). The line-up includes Martha Plimpton, Leanne Best, Patrick Gibson, Osy Ikhile, Wil Johnson, Stuart McQuarrie, Clare Perkins, Sule Rimi and Sebastian Viveros.
With its great mix of pointed exchanges, convincing plotting, relevant issues, sense of learning from experience and emotional integrity, this is a brilliant production of a truly wonderful play.
It’s a question of faithfulness. Should an adaptation be faithful to its original source, or can it just take off and roam around like a free spirit? I must say that new versions of classics that stick closely to the original bore me rigid. I mean, if you’re not going to make big changes, why bother? I much prefer adaptations which are imaginative offshoots rather than those which remain slavish growths.