It feels slightly odd that my final show before the curtains came down wasn’t a play or musical – instead, it was a dance show.
Macbeth is one of Shakespeare’s most frequently performed plays, and it is a story filled with death, danger and prophesy.
Emma Rice’s version of Angela Carter’s last novel is a beautifully bizarre celebration of alternative families.
Following on from the instant success of National Theatre At Home streaming event, it’s got me thinking about all the other wonderful NT Live screenings that I’d love to come to the small screen as part of this series. I have narrowed it down to my top 10.
The success of Show Must Go Online’s engrossing The Taming Of The Shrew is a real credit to the company’s creativity and the magic of this emerging art form.
Last week saw the first production of The Show Must Go Online, a series devised by Rob Myles (who Mind the Blog regulars will recognise from Merely Theatre’s Twelfth Night and his insight into Shakespeare dramaturgy) which will bring a different Shakespeare play to YouTube each week with a rotating cast of actors.
A bold production of the Scottish Play from Lazarus Theatre with a heavy focus on power and ambition – a great introduction to Macbeth and Shakespeare.
Gold lame curtains, hoodies and hi-vis – we wouldn’t naturally associate them with Shakespeare, but this is the world of the new production of The Merchant of Venice, currently playing at Drayton Arms Theatre. Take a look at the production images, then book your tickets.
Have a peek at what a modern take on Shakespeare’s drama of vengeance, commodities, appearance and reality with rehearsal images from the new production of The Merchant of Venice directed by Alex Pearson. Book your tickets now!
Shakespeare’s great drama of mercy and manipulation, The Merchant of Venice, is to receive a striking new revival by theatre companies Poetic Justice Productions and Wolf Sister Productions when it is staged at the Drayton Arms Theatre this autumn.
Chichester Festival Theatre’s production of Shakespeare’s famous tragedy Macbeth, led by John Simm and Dervla Kirwan as the corrupted couple, marks a homecoming for director Paul Miller.
One from the archives: In 1988, excavations began on the site of Shakespeare’s Globe and the occasion called for a symbolic moment.
There have been numerous performances of Macbeth over the years, but what sets this production apart from more recent plays, as well as the beautiful venue, is the innovative ideas from the directors.
“What angel wakes me from my flowery bed?” A plethora of productions of A Midsummer Night’s Dream, that’s what.
Carnival reaches Southwark in this vibrant new A Midsummer Night’s Dream, with a lively cast &and colourful designs – and don’t get comfortable if you’re a groundling.
A fresh perspective on the classic Henry V, concluding Hal’s journey from errant prince to conquering king – an action-packed end to the trilogy.
Henry IV Part 1 is a fast-paced, fun production that speaks to our politically unstable times – a great way to start the new season.
Closing Phil Willmott’s ‘Enemies of the People’ 2019 Essential Classics season is Shakespeare’s classic Othello, marking the centenary of the Jallianwala Bagh massacre, with events set in the British Raj.
Triumphant, if crude, the West End transfer of Emilia is a heartfelt account of a Renaissance woman who has been hidden from history.
Lazarus Theatre’s The Tempest is a dynamic production of a potentially tedious play, bound together in a stark & bold design – Alexander da Fonseca gives a standout performance.