An Enemy Of The People is an adaptation of the Ibsen play of the same name, but an updated version set in a West London Borough in the shadow of Grenfell Tower.
Bush Theatre follows its trend of programming interesting and challenging work, as Rust provides an exciting 75 minutes of raw emotion.
First debuting at Maiden Speech Festival 2018, When It Happens returns to the Tristan Bates Theatre for Camden Fringe. We speak to the show’s writer Rachel Causer, who also plays Jenny in the show, and Kennedy Bloomer, the show’s director.
Koko Brown and Sapphire Joy women steer this ship in such a brilliant and raw direction that it is only natural that the audience is nodding along and audibly agreeing with them throughout Grey at Ovalhouse Theatre.
Director Julie Atherton and SR Productions bring Bare: A Pop Opera rightly into the new century.
WhitePearl’s discussion around beauty standards in the eastern market compared to the western one is complex and yet, still, incredibly similar.
Magnificent Bastard Productions have done well to keep this essentially one joke show fresh and exhilarating in Sh!t-faced Shakespeare’s The Taming of the Shew.
What is it? Urielle Klein-Mekongo’s one woman show Yvette that found success at Edinburgh Fringe in 2017 returns to the Bush Theatre for this explosive and raw personal journey into womanhood.
Rejoicing At Her Wondrous Vulva The Young Woman Applauded Herself is a fresh and exciting take on a subject that is being talked about a lot in the arts now. Which, of course, is a brilliant thing. The piece reclaims the power of the female body and tells all the rules to fuck off.
It is a rare thing to experience a new musical like this The Curious Case Of Benjamin Button. Intimate and lively, it is one that will definitely stay with you long after you have left the theatre
Class is an emotive and clever show that and is able to portray real people in a succinct and gentle way.
What is it? Written by Sam Steiner, this two hander explores the relationship between a young couple post and pre a law that bans the use of more than 140 words per day.
It is the stereotyping of women in theatre that has been one of the biggest motivators for Emmy Happisburgh to create her own company, aptly named Contentment Productions.