Such a bleak, unexciting play is high risk, for sure. But if women’s lives are to be represented truthfully, then this is the risk that must be taken, and I applaud Emily Schwend for her bravery.
Whilst nothing comprehensive can be drawn from the 300 or so plays that I saw in 2016, I think it is interesting to break down the figures and see how they look.
With over 100 cast, writers, directors and crew, and 25 plays (none of which were by Agatha Christie!) spread over 7 programmes, Sphinx Theatre’s Women Centre Stage: Power Play Festival was a full-on day indeed for those of us who stayed the course from midday to nearly 10pm… Though I was 90% caffeine by the end, the buzz I was experiencing was one of delight at the sheer breadth and quality of the theatre we’d been privileged to witness.
Maybe it’s because I’m considering trying my own hand at producing and the universe is sending me encouragement, but everywhere I look at the moment, I see female producers. On Sunday night, the powerhouse that is Sonia Friedman takes another shot at Tony Awards glory in New York, where her transfers of the Shakespeare’s Globe […]
“Julius Caesar rocked my world,” says Donmar artistic director Josie Rourke. She isn’t talking about the play alone, but rather Phyllida Lloyd’s acclaimed all-female production, which Rourke programmed at the Donmar Warehouse in late 2012-early 2013 before transferring it to New York for a run at St Ann’s Warehouse. Now director Lloyd is reuniting with star […]