This world premiere of Mandela at the Young Vic Theatre, by Laiona Michelle and composers Shaun and Greg Dean Borowsky, acknowledges “proud partnership” with his family, tells the story with impassioned and rightly partisan simplicity. Michael Luwoye is a towering Mandela: idealistic, sorrowful at violence, deploying his familiar humour and unresentful humanity.
Discover what critics have had to say about Mandela at the Young Vic Theatre, the new musical based on the life of Nelson Mandela.
Traditionally, audiences don’t go to Oklahoma! to be unsettled. On the other hand you don’t go to the Young Vic to have your expectations cosily met by a singalong, with the dark bits tastefully brushed over.
Daniel Fish’s sexed-up, pared-down version of Oklahoma! at the Young Vic Theatre (co-directed for London by Jordan Fein) is less a revival and more a full blown deconstruction of the original material.
Anthony McCarten’s new play The Collaboration at the Young Vic kicks off as you arrive in the auditorium with an 80s DJ set. It’s toe-tapping, hip and creates a party, edgy, youthful yet nostalgic atmosphere.
Emma Clarendon rounds up the reviews for the world premiere of Anthony McCarten’s The Collaboration, now running at London’s Young Vic Theatre until 2 April 2022.
Two artists in a studio: Andy Warhol and Jean Michel Basquiat. They have been put there to collaborate in 1980s New York.
On LoveLondonLoveCulture, Emma Clarendon rounds up the reviews for the world premiere James Graham’s latest political drama, Best of Enemies, now running at the Young Vic Theatre until 22 January 2022.
James Graham finds an analogue for today’s culture war in 1968 USA care of Gore Vidal and William F Buckley.
James Graham’s mission might seem unfashionable: trawling 20th-century history and public culture, looking not for villains and heroes but for the nuances of human behaviour.
James Graham’s new play Best of Enemies takes us back to the 1960s, demonstrating that the roots of our division partially lay in the creation of televised intellectual debating.
Cush Jumbo’s Hamlet has been a long time in the making. In fact, what with the pandemic and the Young Vic’s long lead times for shows (which allow for some serious forward planning), I booked my tickets around three years ago.
The first televised Black British Theatre Awards 2020 were a vibrant affair hosted by presenter and comedic actor Eddie Nestor, filmed at London’s Young Vic Theatre and broadcast on Sky Arts.
More than 1,300 arts and cultural organisations have benefited from a share of £257 million as part of a vital financial boost from the Government’s £1.57 billion Culture Recovery Fund.
The BBTAs have revealed the 2020 Black British Theatre Awards nominee list, voted almost entirely by the public and representing some of the finest work by Black performers and creatives in UK theatre. The 2020 awards ceremony will air on Sky Arts this autumn, as part of the channel’s free to air line-up.
The idea of re-performing Lungs while the actors safely socially distance got me thinking about other plays which have been performed over the past year or two that could be similarly revived.
World on fire: The NT Live recording of this classic Young Vic production stars Gillian Anderson and is genuinely unmissable.
The National Theatre has announced its third tranche of archive shows that will be streamed every Thursday at 7pm BST via its YouTube channel as part of lockdown initiative National Theatre at Home.
Despite the challenges, and judging by the Young Vic’s typically youthful, mixed audience, Nora: A Doll’s House is a production to which they can relate and which, so far as I could see, kept them on the edge of their seats.
In Jackie Sibblies Drury’s case, Fairview is very much tied up with the method, the form. She blows the traditional form sky high, introducing repetition, caricature and a final twist.