Young Vic artistic director Kwame Kwei-Armah has announced a new season of work, Welcome Back and Welcome Home, welcoming theatre-makers and audiences back through the doors for the first time since the venues’s 50th Birthday celebrations in October 2020.
Nimax Theatres, the Criterion Theatre, Young Vic and Chichester Festival Theatre are among the 2,700 organisations being offered nearly £400 million in grants and loans as part of the CultureRecovery Fund’s second tranche of funding.
Mark Shenton welcomes headlines featuring Stratford East, the National, the British Library and community involvement from Waterloo to Wales.
The RSC, Young Vic and Theatre for a New Audience have a difficult but fascinating task ahead in re-creating lost work Swingin’ the Dream that honours the original while offering something new to modern audiences.
While Matthew Warchus at the other end of the Cut from the Young Vic, may have the Old Vic that he presides over (without any subsidy) dark, too, actually the theatre has been in use regularly and has continued to produce throughout the pandemic, with its “In Camera” broadcasts of live performances that have been staged in its empty auditorium.
The National Theatre, in partnership with Bloomberg Philanthropies, has launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
The first televised Black British Theatre Awards 2020 were a vibrant affair hosted by presenter and comedic actor Eddie Nestor, filmed at London’s Young Vic Theatre and broadcast on Sky Arts.
The winners of the Olivier Awards 2020 with Mastercard were announced in a special ITV programme filmed at The London Palladium, and on Official London Theatre’s YouTube channel.
Stephen Daldry has been nominated in the Best Director category for his staging of Matthew Lopez’s The Inheritance, originally at London’s Young Vic Theatre before its West End transfer to the Noel Coward Theatre. The Olivier Award-winning play which transferred to Broadway in November 2019 received 11 nominations.
Although a rather more muted celebration than originally planned, The New Tomorrow is a powerful acknowledgment of the theatre’s ongoing mission to be a real centre for the community.
The Young Vic is celebrating its 50th birthday and while I’ve only been visiting since 2007-ish, I’ve seen many fantastic and memorable plays there in that time.
Kwame Kwei-Armah, artistic director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
Not to let a decade of theatre bloggery go by without marking the occasion, to kick things off, I’ve compiled a list of my favourite play for each year I’ve been blogging. It has been fun revisiting my best-of lists but absolute agony narrowing each list down to just one.
The nominations have been announced for this year’s Olivier Awards which take place on 5 April 2020 at the Royal Albert Hall.
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 16 February 2020) including Maryam Philpott’s thoughts on Tom Stoppard’s new play Leopoldstadt at the Wyndham’s Theatre.
Andrew Scott, Sharon D. Clarke, Juliet Stevenson, Sam Tutty and Hammed Animashaun have won the top acting honours at the 2019 Critics’ Circle Theatre Awards.
Mind the Blog has a fairly wide-ranging wish list of things I hope to see, including major shows such as Sunday in the Park with George, Evita, Magic Goes Wrong, Uncle Vanya and the Jamie Lloyd Company residency at the Playhouse Theatre.
This isn’t a ‘best of’ list it’s my best-of list, these are the plays that shaped me this decade and will stay with me well into the next.
With a new year fast approaching, it is an interesting time to reflect on small changes across the theatre landscape in 2019 that will continue to shape how UK theatre will look as it moves into a new decade.
Here is a snapshot of my favourite theatre from the past 10 years, the plays that stand out most in my memory, the ones I talk about if people ask.