More praise has always met the political paranoia and over-relished bullying aggression of Pinter’s other plays, long and short: Jame Lloyd’s Pinter season has been a triumph. But for me Betrayal was always going to be the treasure.
Tom Hiddleston stars in Jamie Lloyd’s revival of Harold Pinter’s play Betrayal. Love London Love Culture rounds up the reviews…
Tom Hiddleston is back! And in excellent form in Jamie Lloyd’s revelatory revival of the 1978 Pinter classic Betrayal.
Jamie Lloyd’s terrific Pinter season, at London’s Harold Pinter Theatre, climaxes with a revival of Betrayal, arguably one of the writer’s more personal pieces and one of his most innovative and beguiling.
Hiddleston, Ashton and Cox deliver precise, layered performances in a production that grips with tension. I think Lloyd has saved the best to last in his Pinter at the Pinter season.
Betrayal is everything you could hope for. The Pinter at the Pinter season has set a very high standard for itself, but what a swansong this has turned out to be.
Two of the country’s most exciting young stars, Zawe Ashton and Charlie Cox, will Tom Hiddleston in The Jamie Lloyd Company production of Harold Pinter’s Betrayal at the Harold Pinter Theatre from 5 March 2019 until 1 June (press night is 13 March) for a strictly limited season ending on 1 June, directed by Jamie Lloyd. The production forms the culmination of the historic Pinter at the Pinter season.
In addition to lists of top productions, Mates contributor Ian Foster reviews his reviews from the past year to award his personal prizes for the best performances for Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress in both plays and musicals…
I recently wrote about super-hot French playwright Florian Zeller’s London hat trick – with The Father, The Mother and, still running at the Menier Chocolate Factory, The Truth. As I sat down to catch up on my Theatre Diary of other plays I’ve seen recently, however, I realised London’s theatre landscape is going Gallic for far more than Zeller. In the West End alone at the moment, you can catch three heavyweight French offerings, even if you don’t realise it. All three have been given modern English-language makeovers and relocations.
This week the London theatre bloggers – including syndicate Mates Johnny Fox and Laura Kressly – discuss Jamie Lloyd’s West End revival of The Maids, Welcome Home, Captain Fox at the Donmar Warehouse and new play Correspondence at the fringe Old Red Lion Theatre.
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