Three of London’s most prolific children’s theatres make the OnComm Award finalist’s list.
If this inaugural show, Ghost Quartet, means the new Boulevard Theatre is setting out its stall for a programme of unusually staged and challenging productions in the future then there is every reason to come back soon.
The vivacious performances and gripping qualities of characterisation throughout make Ghost Quartet a thrilling way to spend ninety minutes.
The story of Ghost Quartet is told through a beautifully harmonic score and witty but equally compelling dialogue that truly transcends our known reality.
Ned Bennett’s minimalist and thoughtful production of Equus is by turns thrilling and dull, sensationally staging the sexual and violent aspects of the story while confining the psychiatrist’s self-doubting soliloquy within drapes of blank white sheeting.
Ned Bennett’s thrillingly engaging production of Peter Shaffer’s play grabs the audience’s attention and imagination brilliantly.
Ned Bennett’s direction is another star of the show; the relationship between Ira Mandela Siobhan as Nugget, a Chestnut horse who has a close relationship with Strang, is stunning.
How many different ways can one play be interpreted? The company of Equus were very keen not to impose their opinions but the audience at last night’s post-show Q&A at Trafalgar Studios had plenty of their own. Which were right? All of them! And what a knowledgeable audience it was. Many had seen this or other previous […]
Touching on themes of religion, sexuality and more than one form of mental illness, the play asks some difficult questions and frequently makes for unsettling viewing, and yet Ned Bennett’s production remains utterly compelling from start to dramatic finish.
Equus remains a fascinating, if dated, piece of writing from Peter Schaffer, exploring the psycho-sexual complexities of the adolescent Alan Strang, a boy who has just, horrifically, blinded six horses.
Ned Bennett has created an entirely compelling evening, which reveals new layers to Peter Shaffer’s play Equus that we can now only see because we have changed as a society since it was first performed – a sure sign of a classic.
Ned Bennett’s production of Equus for the English Touring Theatre and Theatre Royal Stratford East has transferred to the Trafalgar Studios – but what do critics think of it?
Equus is an intriguing play, part psychological thriller, part mirror to the human condition and this is an almost thoroughbred production.
As part of her ongoing post-show Q&A series, on Tuesday 23 July 2019, Mates co-founder Terri Paddock is at the West End’s Trafalgar Studios for the acclaimed new production of Peter Shaffer classic Equus, transferred from the Theatre Royal Stratford East. Got any questions?
Award-winning director Ned Bennett’s bold revival of Peter Shaffer’s iconic psychological thriller Equus is transferring to the West End this summer. Following its successful run, the English Touring Theatre and Theatre Royal Stratford East production will open at London’s Trafalgar Studios on 6 July 2019 for a strictly limited season until 7 September.
Arousing and disturbing in equal measures, English Touring Theatre’s production of Equus stirs the senses as much as engages the brain.
This is a brilliant revival of the 1970s classic Equus, about pagan worship and repressed sexuality, which buzzes with an imaginative physicality.
This is a marvellous production of Equus at Theatre Royal Stratford East, a play that could easily come across dated. Ned Bennett once again excels at peeling back the layers of deeply troubled characters.
Fun Home exceeds all expectations. It’s one of those productions where everything – book, music, performance, design – comes together in perfect harmony and by the final notes you know you’ve witnessed something sublime.
At last, the Young Vic has come of age. Fun Home marks one of the best productions it has housed and breaks new ground for musical theatre.
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