THE ADDAMS FAMILY – Touring

In London theatre, Musicals, News, Opinion, Regional theatre, Reviews, Touring by Caroline Hanks-FarmerLeave a Comment

★★★★★
New Wimbledon Theatre, London – until 21 May 2017
Then touring
Guest reviewer: Sarah Miatt

The Addams Family, created by American cartoonist, Charles Addams, have been a part of popular culture for decades through a audience-pleasing sitcom, several films and now a musical. The Addams are an eccentric bunch, who live a macabre but family oriented life, unaware that people find them odd. In the musical incarnation it’s all about the family and Wednesday brings home her first boyfriend and his “normal” parents to meet the family.

With an incredible set and just amazing costumes, visually The Addams Family does not disappoint. Completely set in the Addams home, we are immediately transported to their macabre and exciting life. The set is well used with the ghostly ancestors doing the changes, which in themselves were slick and well choreographed.

Lead by Andrew Hilton the orchestra, were spectacular, making a wonderfully full sound for such a small team. The music by Andrew Lippa was fitting and exciting and spanned a lot of musical genres from the big musical theatre number “When you’re an Addams” to the up to date pop number “Pulled” and the Latin influences in “Tango De Amor

What was particularly lovely about this production was that every ensemble member had their own individual character and, as the ghostly Addams relations, were onstage most of the time in one way or another. It was clear that the characters had been well researched and worked upon with every one of these.

Samantha Womack was perfect in the role of Morticia. Womack completely embodied Morticia from the off. She was ethereal, contained and delivered her lines with a deadpan humour. She particularly shone in her Act 2 number “Just Around The Corner”. Her chemistry with Cameron Blakey as Gomez was electric. Blakey was an energetic Gomez, full of childlike excitement and charm. He was very moving when reminiscing a time when Wednesday was still a child in the song “Happy/Sad”

Les Dennis as Uncle Fester was full of fun and provided the ideal narration for the piece. His song to the moon “The Moon and Me” was particularly delightful.

However the show belonged to Carrie Hope Fletcher as Wednesday Addams. Her powerhouse voice coupled with her obvious acting talent and enthusiasm for the role made her shine in every scene. She was particularly strong in the numbers “Pulled” and “Crazy Like Me” displaying a huge range of emotions from happy to sad to angry. The chemistry she had with boyfriend Lucas, played to great effect by Oliver Ormson, was very reminiscent of her parents sizzling relationship.

This deserves to be a very successful production that will run and run. It has something for everyone from age 12-112. It’s fun, moving and full of energy. Furthermore there are some strong underlying messages in this show. There’s no such thing as normal and always be true to yourself.

A production not to be missed when near you. I will certainly be catching it again when it comes to The Mayflower Theatre.

 

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Caroline Hanks-Farmer
Having been a performer for many years, Caroline knows first hand how much the support of a good audience is valued, appreciated and needed. She is passionate about all performing art, but has a particular interest in new writing and Off-West End productions. Having reviewed for other publications, she set up her website, Carn’s Theatre Passion, to provide more exposure for these areas, as well as news, views, interviews and information on all stage-related matters.
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Caroline Hanks-Farmer on FacebookCaroline Hanks-Farmer on InstagramCaroline Hanks-Farmer on LinkedinCaroline Hanks-Farmer on PinterestCaroline Hanks-Farmer on RssCaroline Hanks-Farmer on TwitterCaroline Hanks-Farmer on Youtube
Caroline Hanks-Farmer
Having been a performer for many years, Caroline knows first hand how much the support of a good audience is valued, appreciated and needed. She is passionate about all performing art, but has a particular interest in new writing and Off-West End productions. Having reviewed for other publications, she set up her website, Carn’s Theatre Passion, to provide more exposure for these areas, as well as news, views, interviews and information on all stage-related matters.

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