‘An event of uplifting beauty & hope: THE DISTANCE YOU HAVE COME – Cockpit Theatre ★★★★

In London theatre, Musicals, Opinion, Reviews by Jonathan BazLeave a Comment

Cockpit Theatre, London – until 28 October 2018

There is a parable of a jeweller who was given a magnificent diamond to work on but which had nonetheless sustained a deep scratch. The craftsman set to work on the gem and atop the blemish he carved a rosebud, using the scratch as the flower’s stem and delivering a diamond of unparalleled beauty.

So it is with Scott Alan’s The Distance You Have Come, a song cycle drawn from Alan’s work to date. The writer has been magnificently brave over the years in speaking openly of his battles with depression and there are songs here that have been written from his darkest depths. And yet, fashioned together in this two-hour gig, they meld to create an event of uplifting beauty and hope.

Set in the round the scenery is simple yet stylish. Suspended branches overhang a park bench, a swing and, ingeniously, a pond too. It says much for Alan’s reputation that he has drawn a cast from amongst the finest musical theatre performers who all leave their own distinctive imprimaturs on the writer’s work, both old established numbers as well as his newer compositions.

Alexia Khadime offers up a gorgeous re-working of Anything Worth Holding On To, as Emma Hatton takes At All, a song composed by Alan for a leading lady, with Hatton passionately claiming the work in a re-written, re-imagined style. The writer’s devotees will be pleased with inclusion of old favourites such as Kiss The Air, I’m A Star and of course, Never Neverland (Fly Away).

Alan directs with a soft sensitivity and credit to Sarah Evans and Krystal Lee for having the vision to produce the project. The Distance You Have Come makes for a moving and thoughtful evening.

Jonathan Baz on Twitter
Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.
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Jonathan Baz on Twitter
Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.