‘Language is beautifully used’: THE HOUSE OF BERNARDA ALBA – Cervantes Theatre

In London theatre, Opinion, Plays, Reviews by Laura KresslyLeave a Comment

Cervantes Theatre, Londonuntil 3 March 2018

It has always surprised me how popular Lorca is in the UK. Last night I went to the Cervantes Theatre, where plays are performed both in English and in Spanish. The first thing that catches my eye is the minimalist set design; the wall shows a weaved white pattern and the red floor mimics big floor tiles.

The story follows Bernarda Alba who locks her five daughters inside the house to mourn the death of their father. No one is allowed to wear anything but black, and no one can be seen talking to a man. Appearances need to be kept.

Nevertheless, a man disrupts the quiet and isolated world Bernarda has created. Youngest daughter Adela (Maite Jauregui) fiercely fights to own her body, whilst Beth Smith as Martirio suffocates her desires in her shawls. Middle child Amelia, who is a kind and cautious soul, accompanies her younger sister wherever she goes. The actors playing the two eldest daughters are polar opposites in their behaviour. Angustias sweetly breathes through her loneliness, whilst Magdalena is an outburst of frustration poison and naked vulnerability.

Every time the women hear a man passing by their home, there is a subtle dance of their repressed sexuality. The composition of the space is really daring, especially the opposing parallels created when the mother and the old maid sit next to each other sharing confidentialities. The Lorquian language is beautifully used and it’s a very accessible play, showcasing bright and powerful actresses on stage. Perhaps I’m not so surprised after all.

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Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.
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Laura Kressly on RssLaura Kressly on Twitter
Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.

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