‘The great sound design makes it engaging’: THE PIT & THE PENDULUM – Omnibus Theatre

In London theatre, Opinion, Plays, Reviews by Emma ClarendonLeave a Comment

Omnibus Theatre, London – until 24 November 2018

Steve Peca paid a visit to the Omnibus Theatre to catch Creation Theatre Company’s production of Edgar Allan Poe’s classic tale. 

I was very excited to learn about a theatre I had never visited or even heard of when I was invited this week to the Omnibus Theatre in Clapham. The show that I was there to see was a reimagining of an Edgar Allan Poe story.

On that, I’ll be honest and say I don’t know the story this was based on, but I don’t think it mattered too much as it’s completely reimagined with a female protagonist, based in Iran, and focused on the modern topic of female empowerment and repression from a society controlled by conservatives and men. The topics are hard-hitting, but mixed with humour to keep the story going. It concentrates on the plight of women in Iran and the general Middle East and highlights issues of gender inequality in the area. It’s all very relevant and related to the modern liberal #MeToo movement. There is only the one actress who plays an unnamed woman (Afsaneh Dehrouyeh) on stage who carries the show all on her own.

The set is small, in the centre of the room, which kept an intimate feeling to the night. Meanwhile, the use of various LED light panels helps to tell the story, transforming into a well, and the red eyes of attacking rats for example. They are also used to effect when contrasting to modern stories such as Star Wars.

The audio is a big part of the show and they use some nontraditional and effective effects. Everyone is given a set of earphones to wear during the show. The show plays through these by having Dehrouyeh perform her roles with supplemented audio effects used in conjunction. For example, there is a great echoing effect used when she speaks into the well. The music and sound effects are used when needed, alongside with the dialogue of the second character, who is only ever heard.

Using the set and audio, the story took you through her imprisonment, reflecting on issues she encountered through her life. Some of the parts dragged on such as watching her obsess over the size of her prison. I suspect these relate to the story they are based on though, so maybe I was missing something (besides the obvious of her trying to take control of her situation). Her accent also added to the storytelling, as did use of made up words such as ‘ascared’, which added variety to the language.

Overall the show was engaging because of the great sound design and how the character was able to carry the show on her own. But some might find the need to read the original  Poe material to get a better understanding of it all as well.

By Steve Peca 

The Pit and the Pendulum will continue to play at the Omnibus Theatre until the 24th November. For more information visit: https://www.omnibus-clapham.org/the-pit-and-the-pendulum/

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Emma Clarendon
Emma Clarendon studied drama through A-Level before deciding she was much better suited to writing about theatre than appearing onstage. She’s written for a number of online publications ever since, including The News Hub and Art Info. Emma set up her own blog, Love London Love Culture, in April 2015 and tweets at LoveLDNLoveCul.
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Emma Clarendon on FacebookEmma Clarendon on InstagramEmma Clarendon on Twitter
Emma Clarendon
Emma Clarendon studied drama through A-Level before deciding she was much better suited to writing about theatre than appearing onstage. She’s written for a number of online publications ever since, including The News Hub and Art Info. Emma set up her own blog, Love London Love Culture, in April 2015 and tweets at LoveLDNLoveCul.