THE TEMPEST – Bloomsbury Festival

In Festivals, London theatre, Opinion, Plays, Reviews by Laura KresslyLeave a Comment

By a guest reviewer who wishes to remain anonymous…

This adaptation of The Tempest by Kelly Hunter was a one-off performance as part of the Bloomsbury Festival at the Bloomsbury Studio Theatre. Hunter specifically designed this piece to enable children on the autism spectrum to participate in the show with the actors. These children’s parents/carers are invited to sit and watch.

I think this was the most unique Shakespeare productions I’ve seen. Hunter and her excellent cast of six set themselves the challenge of using The Tempest as a means of interacting and helping several young people on the autism spectrum to improve their self expression and communication with each other. Initially, I was uncertain how this would work as, personally, I’ve always found The Tempest a tricky play to follow.

As the story progressed I saw that The Tempest actually lends itself perfectly to this kind of devised, interactive theatre. The play of course deals in magic; there’s also a clear physicality to many of the characters and a certain playfulness which allows the actors to introduce the young participants to the world of the play. This was not a full production of the Tempest and nor did it need to be. Considering its aims, the production was undoubtedly a huge success. All of the participants seemed to benefit hugely from playing simplified versions of various scenes from the play with these very experienced stage actors. More importantly they, along with the parents and carers watching, seemed to really enjoy themselves. When the play ended there was a lovely, warm feeling in the room. Everyone seemed enlivened by the experience, adults and children alike.

I sincerely hope that Flute Theatre will continue its success producing this kind of work in the future. It is extremely important and valuable to non-traditional theatregoers.

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Laura Kressly on RssLaura Kressly on Twitter
Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.
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Laura Kressly on RssLaura Kressly on Twitter
Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.

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