‘Pretty much a perfect representation of a play with songs’: TO HAVE TO SHOOT IRISHMEN – Touring

In London theatre, Musicals, Opinion, Plays, Reviews by Ian FosterLeave a Comment

Touring – reviewed at Omnibus Theatre, London

Too often, the term ‘play with songs’ is abused by marketing types to avoid using the word musical in all its apparent divisiveness. So what a blessed relief to find that Lizzie Nunnery’s To Have To Shoot Irishmen is pretty much a perfect representation of the form. A suite of original songs composed by her and Vidar Norheim are sprinkled throughout the play almost as bookends to scenes, enriching the text with their eloquent lyrics and folk-tinged mood.

They don’t progress the narrative for that is not their purpose. Nunnery’s story is as shattered as the set on which it takes place (considered design work from Rachael Rooney), a Dublin neighbourhood ripped apart by the Easter Rising. There, a young mother named Hanna searches anxiously for her husband, the writer and activist Francis Sheehy Skeffington, with a growing sense of dread; and at some point in the recent past, we follow Frank’s experience being held by the British army.

And as Hanna is visited by a British officer appalled by what is being done and Frank extends an almost impossible kindness to the young guard looking after him, Nunnery explores the personal impact of being at the heart of a conflict that rages around you. The corrosive effects of unjustly violent acts, the way they create scars that will last for generations, and the naïveté of colonial rulers too blind to see what true damage their actions are wreaking.

Through her four characters, there’s a powerful sense of this injustice but there’s also a careful sensitivity from Nunnery here too. This is no potted history lesson, leaning one way or the other, Gemma Kerr’s nuanced direction leaves much for us to intuit, to consider and explore for ourselves, as notions of responsibility and pacifism are tested to the extreme. It may frustrate some but I found it an intelligent way to approach an issue that is still so contentious in so many ways.

Kerr also works wonders with an excellent cast. Russell Richardson and Robbie O’Neill both impress as the military men, older and younger respectively, and Gerard Kearns is a hugely fascinating figure with his deep swathes of emotional intelligence. But it is Elinor Lawless who emerges as the real star – a voice full of anger and anguish, whether leading on a haunting folk melody or raging against the bloody unfairness of it all for her, for her child, for her whole country. Exceptional.

Running time: 70 minutes (without interval)
Photos: Mike Massaro
To Have To Shoot Irishmen is booking at the Clapham Omnibus until 20th October and then tours to:
Everyman Theatre, Liverpool  as part of Liverpool Irish Festival
Thurs 25 Oct, Fri 26 Oct & Sat 27 October, 7.30pm
Marlowe Theatre Studio, Canterbury
Tue 30 October, 8pm
Theatre Severn, Shrewsbury
Thur 1st & Fri 2nd November, 8pm
Mumford Theatre, Cambridge
Mon 5 November, 7.30pm
The Arts Centre at Edge Hill University, Ormskirk
Tue 6 November, 7.30pm
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Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
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Ian Foster on FacebookIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."