Southwark Playhouse is my neighbourhood theatre. Over the past decade, I’ve chaired countless post-show talks at what was meant to be its temporary home on Newington Causeway, a three-minute walk turning left outside my front door.
So I was really excited when I was invited to chair the first-ever Q&A at Southwark’s new (additional) space, a three-minute walk right outside my front door.
Southwark Playhouse Elephant – Newington Causeway’s two auditoria building is now rebranded as Southwark Playhouse Borough – is custom-built for the company, nestled at the base of a new high-rise block of flats on Dante Road just off the Elephant & Castle roundabout, where it has signed a 125-year lease at a sustainable rent.
Featuring a two-tier 310-seat auditorium, as well as a space for rehearsals and participation performances, two bars and offices, the Elephant complex retains Southwark’s feel of industrial creative chic and a warm community welcome.
For the first full production at Southwark Elephant, artistic director Chris Smyrnios has cleverly programmed this slick revival of leading Irish playwright Enda Walsh’s The Walworth Farce, which is set nearby, in a council flat on the Walworth Road. Walsh was inspired to write the black comedy while stuck in a traffic jam on the Elephant & Castle roundabout.
In addition to numerous local references and colours, there are clever parallels in the timing of this programming choice. The Walworth Farce centres on a family trapped inside their home, which resonates with post-lockdown audiences, and coincidentally (??) was written in 2006, the same year that this permanent home for Southwark Playhouse was first conceived!
In The Walworth Face, brothers Sean and Blake perform their daily re-enactment of their formidable father Dinny’s story about why they fled their home in Ireland years ago. But today’s performance is going to be different thanks to an unexpected visitor.
For last night’s post-show discussion, I was joined by Southwark Playhouse’s communications manager Jessica Clot – and I had to open by congratulating her and the whole team on their magnificent expansion – as well as The Walworth Farce director Nicky Allpress and her four-strong cast Killian Coyle, Emmet Byrne (who play the brothers), Dan Skinner (Dinny) and Rachelle Diedericks (Hayley).
How important are the stories we tell ourselves and others? How do narratives entrench power? Is myth-making part of Irish identity? What are the physical demands of farce? And what next for the mighty Southwark Playhouse?
The Walworth Face runs at London’s Southwark Playhouse Elephant until 18 March 2023.
Q&A video
Q&A photos
Event photography by Anthony Kelly.
On Twitter
I can’t wait to see tonight’s perf & to share this incredible new space – my local – with others in the community. (I’ve invited several neighbours!)
Lottie & I had a pre Q&A recce. @swkplay #swkplayElephant is stunning & buzzing already!#LondonTheatre pic.twitter.com/5Z79q6jpxE
— Terri Paddock (@TerriPaddock) February 28, 2023
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Interval tweet at @swkplay #SwkPlayElephant.
Loving #TheWalworthFarce – so many local references to Walworth Rd + Elephant&Castle. #LondonTheatre #theatre #postshowtalks pic.twitter.com/Qr4idipcxr
— Terri Paddock (@TerriPaddock) February 28, 2023
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The post The Walworth Farce post-show video and photos: The perfect play to open Southwark Playhouse’s new venue appeared first on Terri Paddock.
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.
